Modern Latin American Art
(Jacqueline Barnitz, Art and Art History Department,
The University of Texas at Austin)
ARTstor and the Art and Art History Department at the University of Texas at Austin have collaborated on a project to digitize and distribute approximately 4,700 teaching slides made by or for Professor Jacqueline Barnitz. Over the course of her career, Barnitz has been a formative influence in shaping the study of Modern Latin American Art, and establishing it as a part of the core art history curriculum. She began teaching a course in Modern Latin American Art at SUNY Stony Brook as early as 1969 and subsequently taught the subject at the University of Pittsburgh. Since her arrival at the University of Texas at Austin in 1981, Barnitz has created the university's graduate program in Modern Latin American art and developed a broad selection of undergraduate and graduate seminars, covering Mexico and ten other Caribbean, Central, and South American countries. Barnitz has published and lectured on many aspects of the field throughout the United States and Latin America. She has organized exhibitions, including including Latin American Artists in New York since 1970 (Archer Huntington Art Gallery, 1987), and contributed essays to numerous exhibition catalogs, most recently to
The present collaboration is intended to provide teachers, students, and scholars with a core teaching collection in the area of Modern Latin American Art. According to Barnitz: "It will, at long last, help to situate the modern art of Latin America as a field into the mainstream of western art history where it belongs." Through her partnership with ARTstor, Barnitz hopes to advance the study and teaching of Modern Latin American art, ensuring that this important subject will be properly represented within the emerging digital canon.
|Total size of collection*||4,699|
|Percentage of completion||100%|
|Search terms||barnitz austin|
* Image totals should be regarded as an approximation until a given collection is 100% complete. Users should also bear in mind that the number of images available to them may vary from country to country, reflecting ARTstor’s approach to addressing an international copyright landscape that itself varies from country to country.
Last updated: April 28, 2010
Le Parc, Julio, Argentine; Glasses for Altered Vision; © 2006 Artists Rights Society (ARS), New York / ADAGP, Paris