Victor Hugo. Vianden seen through a spider's web. 1871.

Victor Hugo. Vianden seen through a spider’s web. 1871. Pen, ink and wash over graphite and watercolor on vellum. Image and data from Allan T. Kohl, Minneapolis College of Art and Design.

Collection:
Minneapolis College of Art and Design Collection

Contributor:
Minneapolis College of Art and Design (MCAD)

Content:
The Minneapolis College of Art and Design (MCAD) has contributed 1,350 additional images to their collection in Artstor, bringing the total to 2,800. The eclectic teaching collection includes iconic works present in art history curricula. All images were selected with the assistance of Allan Kohl, Visual Resources Librarian.

Jean Delville. Portrait of Mrs. Stuart Merrill. 1892.
Jean Delville. Portrait of Mrs. Stuart Merrill.1892. Colored chalk on paper. Image and data from Allan T. Kohl, Minneapolis College of Art and Design.
Caspar David Friedrich. Owl in a Gothic Window. 1836.
Caspar David Friedrich. Owl in a Gothic Window. 1836. Pencil and sepia, black ink. Image and data from Allan T. Kohl, Minneapolis College of Art and Design.
Odilon Redon. Spirit of the Forest. 1880.
Odilon Redon. Spirit of the Forest. 1880. Charcoal and chalk on paper. Image and data from Allan T. Kohl, Minneapolis College of Art and Design.
Caspar David Friedrich. Owl on a Grave. 1836-1837.
Caspar David Friedrich. Owl on a Grave. 1836-1837. Pencil and sepia, black ink. Image and data from Allan T. Kohl, Minneapolis College of Art and Design.

The current launch provides an opportunity to highlight some esoteric selections in an intimate digital exhibition of 19th-century Symbolist and related works. From Victor Hugo, better known for his writings than his many renderings, Vianden seen through a spider’s web offers a veiled perspective of the Luxembourg town that sheltered him during his exile from France. The electrifying Portrait of Mrs. Stuart Merrill by Belgian artist Jean Delville, aptly titled La Mysteriosa, is the personification of the occult. Caspar David Friedrich’s majestic owls portend death, and between the two looms A Spirit of the forest, one of Odilon Redon’s beloved hybrid “monsters.” Finally, the lighter spirit of the American luminist movement animates an oil sketch by the Hudson River school painter Frederic Edwin Church.

Frederic Edwin Church. Hudson River Valley in Winter Looking Southwest from Olana. c. 1870-1880.

Frederic Edwin Church. Hudson River Valley in Winter Looking Southwest from Olana. c. 1870-1880. Oil and pencil on board. Image and data from Allan T. Kohl, Minneapolis College of Art and Design.

Relevance:
European, British, and American art and culture.