Zhao Mengfu. Autumn Colors on the Qiao and Hua Mountains, detail. Yuan Dynasty. Long scroll. © National Palace Museum / Art Resource, NY.

A collection of world art has been added to Artstor – approximately 1,500 images from four museums – the National Palace Museum, Taipei, The Rubin Museum of Art, Mingei International Museum, and The Newark Museum of Art. The selection features art from China, the Himalayas, Latin America, and Africa. The collections are presented in high-resolution images from Art Resource, the world’s largest stock photo archive of fine art, as well as a licensor for museums across the world.1

Castiglione, Father Giuseppe. One Hundred Horses, detail. 1728. Long scroll. © National Palace Museum / Art Resource, NY.

We invite you to uncover the treasures from this collection–these are just a few of the highlights. The selection includes nearly 600 images of Chinese art from the National Palace Museum, with important examples of scroll paintings and calligraphy displayed both in full views and in comprehensive details. Among these are the One Hundred Horses scroll, 1728, by Father Giuseppe Castiglione, who distinctively blended western and Chinese techniques in fully differentiated depictions of 100 equines, as well as the beloved mountainscape scroll of Zhao Mengfu, Autumn Colors, that combines calligraphic and painterly skills.

Tsang Province, Tibet. Lama Gyalwa Lhachog Senge. 17th century. Ivory. © Rubin Museum of Art / Art Resource, NY.
Nepal. Mongoose. 16th century. Bronze. © Rubin Museum of Art / Art Resource, NY.
Buddhist lineage, Tibet. Naga King. 14th century. Metal. © Rubin Museum of Art / Art Resource, NY.
Mongolia. Tsiu Marpo, Worldly Protector. 19th century. Wood with pigments. Rubin Museum of Art / Art Resource, NY.

From The Rubin Museum, an eclectic range of Buddhist works offers a minutely crafted ivory figure of a 15th-century abbott, Lama Gyalwa Lhachog Senge; a tiny bronze mongoose, 17th century, a likely fragment from a Ganesha sculpture; a formidable and ornate Naga King, 14th century, a spirit both human and snake; and a wooden carving of the Tsiu Marpo, 19th century, a protector deity enshrined in flames.

Tairona Culture. Shell Pendant. 1000 - 1600 CE. Gold. © Mingei International Museum / Art Resource, NY.
Chimu-Inca Culture. Ceremonial Sprinkler with Lobster Effigy. 1430 - 1540 CE. Blackware. © Mingei International Museum / Art Resource, NY.
Nayarit, Mexico. Pintura de Estambre. 20th century. Yarn, beeswax and wood. © Mingei International Museum / Art Resource, NY.

Mingei Museum takes its name from the Japanese mingei, meaning art of the people. The selection in Artstor comprises approximately 300 works of folk art, decorative arts, jewelry, and fashion from communities in the Americas and the Caribbean, and Asia. The exceptional gold work of the Tairona people is exemplified by a refined shell pendant, 1000 – 1600 C.E.; a hybrid blackware pottery style of the Chimú and Inca people of Peru is displayed in the Ceremonial Sprinkler with Lobster…, 1430 – 1540 CE.; and the artistry of an unknown creator shines in the brilliant lines and colors of the Pintura de Estambre (yarn painting), 20th century, from Nayarit.

Senufo People. Bird finial. 20th century. Wood, metal. © Newark Museum of Art / Art Resource, NY.

Ashanti People. Ring. 20th century. Gold. Newark Museum of Art / Art Resource, NY.

A limited sampling is also offered from the Newark Museum of Art, providing a diverse array of works by Indigenous artists from North America, as well as art from south and east Asia, and Africa–notably a finial from the Senufo people, and a gold ring from the Ashanti, both dominated by striking birds.

View the entire collection in Artstor and JSTOR

—Nancy Minty, collections editor


1Artstor also presents several other collections provided by Art Resource that are highly valued by our community, including Erich Lessing Culture and Fine Arts Archives and Réunion des Musées Nationaux (RMN) both of which focus primarily on western art.