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March 30, 2020

Museums, remotely

Honoré Daumier. L'Exposition de 1859: Dire que je vais être...Exposé... 1859.

Honoré Daumier. L’Exposition de 1859: Dire que je vais être…Exposé…1859. Lithograph. Image and data provided by The Phillips Collection.

Missing your favorite museums? Let us reveal them to you remotely. Artstor offers comprehensive coverage of the collections of well over 100 international museums and galleries through various accesses—ranging from fully public, from our community collaborators, as well as Open Artstor collections with works entirely in the public domain—to selections in the Artstor Digital Library that are available to subscribing institutions and their members.

 

 

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March 19, 2020

New: Open Artstor: The Cleveland Museum of Art

Explore one of our finest museums virtually

Ogata Korin, follower of. Chrysanthemums by a Stream. Late 1700s - early 1800s.

Ogata Korin, follower of. Chrysanthemums by a Stream. Late 1700s – early 1800s. One of a pair of folding screens; ink and color on gilded paper. Image and data provided by The Cleveland Museum of Art. CCO 1.0.

In collaboration with The Cleveland Museum of Art and their comprehensive Open Access initiative, Artstor has published an expansive selection of works from this leading repository, freely available to all and with Creative Commons licenses. This is part of a new, free initiative to aggregate open museum, library, and archive collections across disciplines on the Artstor platform — already a destination for scholars using visual media. Incorporating more than 10,000 years of history and iconic works from every corner of the globe, this collection includes nearly 29,000 images offering considerable coverage of the museum’s encyclopedic collection — paintings from Nicolas Poussin to Georgia O’Keeffe, precious jewels and scrolls from China, Japanese screens and kimonos, African and Native American ritual attire and objects, pre-Columbian gold, photography, and much more.

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February 19, 2020

New: Additional images from Museo de Arte de Ponce

Cristóbal Hernández de Quintana. The Virgin of La Candelaria. 18th century.
Cristóbal Hernández de Quintana. The Virgin of La Candelaria. 18th century. Oil on canvas. Image and data provided by the Museo de Arte de Ponce. The Luis A. Ferré Foundation, Inc.
Manuel Cuyàs Agulló. The American Landing at Ponce. 1898.
Manuel Cuyàs Agulló. The American Landing at Ponce. 1898. Oil on canvas. Image and data provided by the Museo de Arte de Ponce. The Luis A. Ferré Foundation, Inc.
Frederick Sandys. Ysoude with the Love Philtre. 1870.
Frederick Sandys. Ysoude with the Love Philtre. 1870. Oil on panel. Image and data provided by the Museo de Arte de Ponce. The Luis A. Ferré Foundation, Inc.

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January 27, 2020

New: 45,000 open images from Museum of New Zealand Te Papa Tongarewa

The Open Artstor: Museum of New Zealand Te Papa Tongarewa Collection is now available, featuring a selection of more than 45,000 images under Creative Commons licenses. This is part of a new, free initiative to aggregate open museum, library, and archive collections across disciplines on the Artstor platform — already a destination for scholars using visual media.

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January 14, 2020

New: 1,500 images from Panos Pictures

What’s new in the Artstor Digital Library?

G.M.B. Akash. A young Bede (Beday) girl near a river.
G.M.B. Akash. A young Bede (Beday) girl near a river. Image and data from Panos Pictures
Andrew Esiebo. At a camp for internally displaced people (IDPs). August 2018
Andrew Esiebo. At a camp for internally displaced people (IDPs), a group of boys are undergoing one of the several bonding and life skills activities. August 2018. Image and data from Panos Pictures.

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January 8, 2020

Artstor’s 2019 year in review

The end of the decade marks the beginning of our open access era

In 2019 we kicked off our Open Artstor initiative and began aggregating cross-disciplinary museum, library, and archive collections and making them available to all via Creative Commons licenses. We capped the year with the publication of three expansive and diverse collections.

Cell in laser beam, flow cytometry, illustration.
Cell in laser beam, flow cytometry, illustration. Wellcome Collection. Credit: Neil Dufton. CC BY 4.0.
Klein bottle
Science Museum Group. Klein bottle, 1995. 1996-558. Science Museum Group Collection Online. Accessed January 3, 2020. https://collection.sciencemuseumgroup.org.uk/objects/co415806. CC BY 4.0.
Personal Computer, model Apple I.
Science Museum Group. Personal Computer, model Apple I. 1999-915. Science Museum Group Collection Online. Accessed January 3, 2020. https://collection.sciencemuseumgroup.org.uk/objects/co503422. CC BY 4.0.
Pinckney Marcius-Simons. Illustrations to A Midsummer Night's Dream. 1908. Image and data provided by the Folger Shakespeare Library. CC BY-NC-ND 4.0.

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December 4, 2019

The drama of the operating theater:
Thomas Eakins’ medical paintings and clinical fact

During the nineteenth century the painting genre of the operating theater emerged — an arresting hybrid of fine art and the art of medicine. Highly specialized and hotly debated, its celebrated champion was the American artist Thomas Eakins, both appreciated and condemned for the realism which he brought most notably to his medical paintings. The Gross Clinic, 1875, and The Agnew Clinic, 1889, are his most monumental canvases among about 25 that feature medical practitioners. With an infusion of related imagery from two recently published collections Open Artstor: Wellcome Collection and Open Artstor: Science Museum Group, we may now probe these powerful and disquieting works with clinical precision.

Thomas Eakins. The Gross Clinic. 1875

Thomas Eakins. The Gross Clinic. 1875. Image and data provided by University of Georgia Libraries.

The Gross Clinic depicts Dr. Samuel D. Gross, characterized as the “emperor of American surgery,” in his element at center stage directing his assistants who perform an operation on a patient’s thigh while he also addresses his students. A woman recoils at left, the only discordant note to his authority. The setting is Philadelphia’s Jefferson Medical College, where the artist himself began to study medicine before choosing a future in art. On a canvas measuring about 8 x 6 feet, the figures approach life size.

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December 3, 2019

The fine art of the feast

Seize the season! Once again we have crossed the Thanksgiving threshold into full-blown festivities and the crescendo to the new year. In celebration of the prompt to eat, drink, and be merry, we would like to present some inspiring visions.

Antonio Rasio. Autumn. 1685-1695

Antonio Rasio. Autumn. 1685-1695. Pinacoteca Tosio Martinengo. Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.

Let’s begin with the harvest itself, the basis of all feasts and the bountiful personification of Autumn by the Brescian Antonio Rasio, 1685-1695. In one of four allegorical paintings of the season, the whimsical poster boy for produce is nearly life size and he is composed of more than 20 edibles from mushrooms to pomegranates.

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