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February 19, 2020

New: Additional images from Museo de Arte de Ponce

Cristóbal Hernández de Quintana. The Virgin of La Candelaria. 18th century.
Cristóbal Hernández de Quintana. The Virgin of La Candelaria. 18th century. Oil on canvas. Image and data provided by the Museo de Arte de Ponce. The Luis A. Ferré Foundation, Inc.
Manuel Cuyàs Agulló. The American Landing at Ponce. 1898.
Manuel Cuyàs Agulló. The American Landing at Ponce. 1898. Oil on canvas. Image and data provided by the Museo de Arte de Ponce. The Luis A. Ferré Foundation, Inc.
Frederick Sandys. Ysoude with the Love Philtre. 1870.
Frederick Sandys. Ysoude with the Love Philtre. 1870. Oil on panel. Image and data provided by the Museo de Arte de Ponce. The Luis A. Ferré Foundation, Inc.

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January 27, 2020

New: 45,000 open images from Museum of New Zealand Te Papa Tongarewa

The Open Artstor: Museum of New Zealand Te Papa Tongarewa Collection is now available, featuring a selection of more than 45,000 images under Creative Commons licenses. This is part of a new, free initiative to aggregate open museum, library, and archive collections across disciplines on the Artstor platform — already a destination for scholars using visual media.

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January 14, 2020

New: 1,500 images from Panos Pictures

What’s new in the Artstor Digital Library?

G.M.B. Akash. A young Bede (Beday) girl near a river.
G.M.B. Akash. A young Bede (Beday) girl near a river. Image and data from Panos Pictures
Andrew Esiebo. At a camp for internally displaced people (IDPs). August 2018
Andrew Esiebo. At a camp for internally displaced people (IDPs), a group of boys are undergoing one of the several bonding and life skills activities. August 2018. Image and data from Panos Pictures.

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January 8, 2020

Artstor’s 2019 year in review

The end of the decade marks the beginning of our open access era

In 2019 we kicked off our Open Artstor initiative and began aggregating cross-disciplinary museum, library, and archive collections and making them available to all via Creative Commons licenses. We capped the year with the publication of three expansive and diverse collections.

Cell in laser beam, flow cytometry, illustration.
Cell in laser beam, flow cytometry, illustration. Wellcome Collection. Credit: Neil Dufton. CC BY 4.0.
Klein bottle
Science Museum Group. Klein bottle, 1995. 1996-558. Science Museum Group Collection Online. Accessed January 3, 2020. https://collection.sciencemuseumgroup.org.uk/objects/co415806. CC BY 4.0.
Personal Computer, model Apple I.
Science Museum Group. Personal Computer, model Apple I. 1999-915. Science Museum Group Collection Online. Accessed January 3, 2020. https://collection.sciencemuseumgroup.org.uk/objects/co503422. CC BY 4.0.
Pinckney Marcius-Simons. Illustrations to A Midsummer Night's Dream. 1908. Image and data provided by the Folger Shakespeare Library. CC BY-NC-ND 4.0.

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December 4, 2019

The drama of the operating theater:
Thomas Eakins’ medical paintings and clinical fact

During the nineteenth century the painting genre of the operating theater emerged — an arresting hybrid of fine art and the art of medicine. Highly specialized and hotly debated, its celebrated champion was the American artist Thomas Eakins, both appreciated and condemned for the realism which he brought most notably to his medical paintings. The Gross Clinic, 1875, and The Agnew Clinic, 1889, are his most monumental canvases among about 25 that feature medical practitioners. With an infusion of related imagery from two recently published collections Open Artstor: Wellcome Collection and Open Artstor: Science Museum Group, we may now probe these powerful and disquieting works with clinical precision.

Thomas Eakins. The Gross Clinic. 1875

Thomas Eakins. The Gross Clinic. 1875. Image and data provided by University of Georgia Libraries.

The Gross Clinic depicts Dr. Samuel D. Gross, characterized as the “emperor of American surgery,” in his element at center stage directing his assistants who perform an operation on a patient’s thigh while he also addresses his students. A woman recoils at left, the only discordant note to his authority. The setting is Philadelphia’s Jefferson Medical College, where the artist himself began to study medicine before choosing a future in art. On a canvas measuring about 8 x 6 feet, the figures approach life size.

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December 3, 2019

The fine art of the feast

Seize the season! Once again we have crossed the Thanksgiving threshold into full-blown festivities and the crescendo to the new year. In celebration of the prompt to eat, drink, and be merry, we would like to present some inspiring visions.

Antonio Rasio. Autumn. 1685-1695

Antonio Rasio. Autumn. 1685-1695. Pinacoteca Tosio Martinengo. Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.

Let’s begin with the harvest itself, the basis of all feasts and the bountiful personification of Autumn by the Brescian Antonio Rasio, 1685-1695. In one of four allegorical paintings of the season, the whimsical poster boy for produce is nearly life size and he is composed of more than 20 edibles from mushrooms to pomegranates.

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November 5, 2019

New in Artstor — Nearly 300 self-portraits by Joseph Stapleton

A unique offering from a second generation Abstract Expressionist

Joseph F. Stapleton. Look look. 1978

Joseph F. Stapleton. Look look. 1978. China marker, vellum. RISD Museum. Image and data provided by Robert Solomon Art.

Art historian Robert Solomon has just contributed the Joseph Stapleton: Self-Portraits collection to the Artstor Digital Library. Below, he provides a perspective on the artist and his significant output of self-portrait drawings.

Joseph Stapleton (1921-1994) was one of an estimated 400 artists who poured into New York City’s Tenth Street area following the close of World War II. According to historian Irving Sandler, they were attracted to this specific location by the presence of, among others, Willem de Kooning’s studio. Sandler referred to this group of artists born between 1920 and 1930 as Abstract Expressionism’s second generation. Over the next twenty years this second generation would be impacted by a variety of economic and social influences. These conditions would produce only a handful of names we recognize today.

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October 29, 2019

New collection — Open Artstor: Science Museum Group

The "Coronation Scot" train at Penrith, 1938

Science Museum Group. London Midland & Scottish Railway Collection. The “Coronation Scot” train at Penrith. 1938. 1997-7409. From a set of glass and film negatives. Science Museum Group Collection Online. Accessed October 17, 2019. https://collection.sciencemuseumgroup.org.uk/objects/co423016. CC BY 4.0.

The Open Artstor: Science Museum Group collection is now available, featuring a selection of nearly 50,000 images from the Science Museum Group (UK) under Creative Commons licenses that span science, technology, engineering, mathematics and medicine. This is part of a new, free initiative to aggregate open museum, library, and archive collections across disciplines on the Artstor platform — already a destination for scholars using visual media.

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