Artstor and JSTOR will be attending the Electronic Resources and Libraries Conference in Austin, Texas, March 8-11.
Come by booth #705 to pick up some swag and learn about our latest initiatives. We look forward to talking about the new collections and tools we’ve added to Artstor, and discussing our plans for future development!
The Open Artstor: Museum of New Zealand Te Papa Tongarewa Collection is now available, featuring a selection of more than 45,000 images under Creative Commons licenses. This is part of a new, free initiative to aggregate open museum, library, and archive collections across disciplines on the Artstor platform — already a destination for scholars using visual media.
- Charles Blomfield. White Terraces. 1882. Museum of New Zealand Te Papa Tongarewa. No known copyright.
- Alfred Burton. White Terraces. ca. 1885. Museum of New Zealand Te Papa Tongarewa. No known copyright.
Artstor will be attending the 2020 College Art Association Annual Conference in Chicago, Illinois, February 12-15.
Come by booth #513 in Salon A, Lower Level to say hello and learn about our latest updates and initiatives. We have added new collections and tools to Artstor, and look forward to discussing our plans for future development!
What’s new in the Artstor Digital Library?
The end of the decade marks the beginning of our open access era
In 2019 we kicked off our Open Artstor initiative and began aggregating cross-disciplinary museum, library, and archive collections and making them available to all via Creative Commons licenses. We capped the year with the publication of three expansive and diverse collections.
During the nineteenth century the painting genre of the operating theater emerged — an arresting hybrid of fine art and the art of medicine. Highly specialized and hotly debated, its celebrated champion was the American artist Thomas Eakins, both appreciated and condemned for the realism which he brought most notably to his medical paintings. The Gross Clinic, 1875, and The Agnew Clinic, 1889, are his most monumental canvases among about 25 that feature medical practitioners. With an infusion of related imagery from two recently published collections Open Artstor: Wellcome Collection and Open Artstor: Science Museum Group, we may now probe these powerful and disquieting works with clinical precision.
The Gross Clinic depicts Dr. Samuel D. Gross, characterized as the “emperor of American surgery,” in his element at center stage directing his assistants who perform an operation on a patient’s thigh while he also addresses his students. A woman recoils at left, the only discordant note to his authority. The setting is Philadelphia’s Jefferson Medical College, where the artist himself began to study medicine before choosing a future in art. On a canvas measuring about 8 x 6 feet, the figures approach life size.
Seize the season! Once again we have crossed the Thanksgiving threshold into full-blown festivities and the crescendo to the new year. In celebration of the prompt to eat, drink, and be merry, we would like to present some inspiring visions.
Let’s begin with the harvest itself, the basis of all feasts and the bountiful personification of Autumn by the Brescian Antonio Rasio, 1685-1695. In one of four allegorical paintings of the season, the whimsical poster boy for produce is nearly life size and he is composed of more than 20 edibles from mushrooms to pomegranates.
A unique offering from a second generation Abstract Expressionist
Art historian Robert Solomon has just contributed the Joseph Stapleton: Self-Portraits collection to the Artstor Digital Library. Below, he provides a perspective on the artist and his significant output of self-portrait drawings.
Joseph Stapleton (1921-1994) was one of an estimated 400 artists who poured into New York City’s Tenth Street area following the close of World War II. According to historian Irving Sandler, they were attracted to this specific location by the presence of, among others, Willem de Kooning’s studio. Sandler referred to this group of artists born between 1920 and 1930 as Abstract Expressionism’s second generation. Over the next twenty years this second generation would be impacted by a variety of economic and social influences. These conditions would produce only a handful of names we recognize today.
The Open Artstor: Science Museum Group collection is now available, featuring a selection of nearly 50,000 images from the Science Museum Group (UK) under Creative Commons licenses that span science, technology, engineering, mathematics and medicine. This is part of a new, free initiative to aggregate open museum, library, and archive collections across disciplines on the Artstor platform — already a destination for scholars using visual media.