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February 28, 2005

ARTstor at Visual Resources Association Conference

We wanted to let you know that there will be an ARTstor Hospitality Suite at the upcoming Visual Resources Association conference in Florida. All participants and non-participants are invited to visit us in the Wyndham Miami Beach Resort at 4833 Collins Avenue. You will find us in the suite on Monday, March 7, 2005 from 10:00am to 5:00pm; Tuesday, March 8, 2005 from 10:00am to 5:00pm; and on Wednesday, March 9, 2005 from 10:00am to 4:00pm. There will be signs in the lobby and fliers at the concierge desk with the suite number. Representatives from our User Services and Library Relations team will be in the suite so there will be ample opportunities for training and learning more about ARTstor. We encourage you to schedule an appointment for training in advance.

There will also be a Participants Breakfast on Tuesday, March 8 from 7:00-8:30am in the Madrid Room at the Wyndham Miami Beach Resort. This meeting is open to all ARTstor participants and we hope that you will be able to join us. You are welcome to drop in but if possible, we ask that you RSVP to userservices@artstor.org in advance.

The agenda for the meeting is as follows:

  • Introduction & Welcome: James Shulman, Executive Director
  • Participation Update: Barbara Rockenbach, Assistant Director for Library Relations
  • User Services Update: Kimberly Harvey, User Services CoordinatorCollections Update: Max Marmor,Director of Collection Development
  • Hosting Pilot: James Shulman, Executive Director
  • Question & Answer Session: All ARTstor Staff

Finally, there will be an ARTstor Users Group Meeting on Tuesday, March 8, 2005 from 12:30-2:00pm. This meeting is being coordinated by Elisa Lanzi from Smith College and Tina Updike of James Madison University and is open to anyone who is interested in ARTstor.

To schedule a time for training or to RSVP for the Participants Meeting, please email userservices@artstor.org. See you in Miami!

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January 26, 2005

Institutional Hosting Pilot

In June 2004, ARTstor initiated a year-long pilot of its proposed institutional hosting service. This service will enable local institutional collections to be hosted by ARTstor and served back to the participating institution alongside ARTstor’s Charter Collection, and using ARTstor’s software environment and tools. Ten colleges and universities have been working with ARTstor to assess the usefulness of this service to institutions, as well as to evaluate the financial and organizational impact of hosting at each institution.

The ARTstor user community has expressed a great deal of interest and enthusiasm about the hosting service for several reasons: (1) hosting will allow institutions to supplement the images in ARTstor’s Charter Collection with additional images that meet the specific needs of an institution and its professors; (2) all hosted images will be retrieved via ARTstor’ tools and software, which means that local collections can utilize the searching, browsing, and zooming capabilities of the ARTstor software; (3) for many institutions, hosting will also provide organizational benefits, since ARTstor’s underlying database can function as a useful tool for the campus-wide management of images and data.

The ten institutions involved in the pilot, which include universities and colleges, were chosen for their diversity in the type of institutional collections, the size of those collections, and the media on which those institutional collections are stored. While some institutions elected to host art-related collections, many have contributed collections that represent a wide range of departments and disciplines, including biology, astronomy, maps of Africa, and Cuban Heritage objects.

Over the course of assessing the pilot, we are gathering data from institutions about current practices in image collection-building and management, and asking participants about the pedagogical impact of having local collections made more widely accessible alongside the ARTstor collections. ARTstor is working with the National Institute for Technology and Liberal Education (NITLE) and seven NITLE-member colleges on the formal assessment of the hosting pilot. NITLE has provided these colleges with funds to access ARTstor for the length of the pilot, and ARTstor is working with these schools to assess the financial and organizational impact of institutional collection hosting in an educational environment.

The hosting pilot project is scheduled to run through the summer. Once the results are complied and reviewed we will be announcing the next steps.

The institutions currently participating in the pilot are:

  • Bryn Mawr College
  • Denison University
  • DePauw University
  • Emory University
  • Grinnell College
  • Sewanee: The University of the South
  • Stanford University
  • University of Miami
  • Washington and Lee University
  • Williams College

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January 10, 2005

Major Art Museums to Share Digital Image Collections with ARTstor

ARTstor has announced that sixteen art museums have committed to share digital image collections and associated data through ARTstor. Image and data from these collections will enhance ARTstor’s ability to provide broad-based access to art images for educational and scholarly use in museums, colleges and universities, and the K-12 sector.

The contributing museums include:

Many of these museums have been participants in AMICO (Art Museum Image Consortium), the pioneering digital initiative originally created by the Association of Art Museum Directors. AMICO announced recently that it would cease operations in July 2005, and expressed its intention to work with ARTstor during a transition period to encourage member museums to continue their efforts in collaboration with ARTstor. In addition to these institutions that had previously contributed to AMICO, other major art museums that will make parts of their image collections available through ARTstor include the Kimbell Art Museum, Harvard University Art Museums, Yale University Art Galleries, and the Williams College Museum of Art.

These art museum partnerships will result in the sharing through ARTstor of tens of thousands of very high quality digital images – images carefully selected by museum curators representing both well-known masterpieces and thousands of works of art that deserve to be better known. Many of the hidden treasures of major art museums – such as the textiles, photographs, and works on paper that are typically too fragile to be on regular public view – will be available for study by scholars, curators, and students at the more than 300 colleges, universities, art schools and museums now participating in ARTstor. James Shulman, Executive Director of ARTstor, noted that, “We are delighted that ARTstor can serve as an avenue through which these extraordinary institutions can make images of their works available for non-profit educational use. In addition to adding many thousands of images of the highest quality and museum authorized cataloging data to the ARTstor Digital Library, these collaborations represent exciting steps in our effort to be a part of a community-wide effort. We look forward to continuing partnerships with colleagues and friends at these and other museums.”

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January 7, 2005

ARTstor at ALA Midwinter Meeting

We wanted to let you know that there will be several ARTstor activities at the upcoming ALA Midwinter meeting in Boston. We will be having our inaugural ARTstor Participants’ Meeting and all ARTstor participants are invited to attend. The meeting will be held on Sunday January 16, 2005 from 4:00-6:00pm in the Hynes Convention Center, room 100. If you plan to attend the Participants’ Meeting, please RSVP to userservices@artstor.org.

In addition to the Participants’ Meeting, all participants are invited to visit the ARTstor Hospitality Suite in the Marriott Copley Place. You can find us in the suite Saturday, January 15 thru Monday, January 17, from 10:00am to 6:00pm. [Note: the suite will not be open from 4:00-6:00pm on Sunday, January 16 because of the ARTstor Participants’ Meeting.] There will be signs or flyers available in the lobby at the concierge desk with the suite numbers. Representatives from our User Services and Library Relations team will be in the suite so there will be opportunities for training and learning more about ARTstor. The schedule each day will have a combination of training and drop-in times. During the training periods you are still welcome to come by with questions, but we cannot guarantee that a computer will be free for demos during those times.

The schedule each day will be:
10:00am-12:00pm: Training
12:00-2:00pm: Drop-in: Demos and Q & A
2:00pm-4:00pm: Training
4:00-6:00 pm: Drop-in: Demos and Q & A

We also encourage you to schedule an appointment to visit with us while you are in Boston. To schedule time to meet with ARTstor Library Relations and User Services staff please send an email to: subscribe@artstor.org.

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November 23, 2004

Collaborative Agreement Reached Between the Arthur and Elizabeth Schlesinger Library on the History of Women in America (Radcliffe Institute for Advanced Study, Harvard University) and ARTstor

The Arthur and Elizabeth Schlesinger Library on the History of Women in America (Radcliffe Institute for Advanced Study, Harvard University) and ARTstor Inc. announced today that they had reached an agreement to collaborate on the distribution through ARTstor of approximately 36,000 high quality digital images from the Schlesinger Library’s renowned photographic archives.

The Schlesinger Library at the Radcliffe Institute for Advanced Study is the leading national repository for women’s history. The Library’s collections document the full spectrum of activities and experiences of women in the 19th and 20th centuries. Particular strengths include women’s rights and suffrage, social reform, the labor movement, work and professions, family history, health and sexuality, culinary history, and gender issues. In the Library’s collections, there are more than 70,000 images in all varieties of photographic formats. These images represent the work of both professional and amateur artistic and documentary photographers and include portraits of individuals and family groups, men, children, landscapes, houses and interiors, travel pictures, women at work, and political and social activities. Although they provide a unique kind of documentation of women’s history that complements and enriches other parts of the Library’s collections, these images were, until recently, all but inaccessible.

This collaboration between ARTstor and the Schlesinger Library will make this rich body of visual material and related scholarship available electronically, and in high resolution, to the larger educational and scholarly community for the first time. The audience for these materials will include scholars, teachers, and students throughout the arts, humanities and social sciences, who will value having the ability to access, browse, and make rich educational and scholarly uses of this unique corpus of images. In reaching this agreement, Nancy F. Cott, the director of the library and also Jonathan Trumbull Professor of American History at Harvard University, and Max Marmor, Director of Collection Development at ARTstor, expressed their enthusiasm in collaborating to use digital technologies to make this important scholarly resource more broadly available for noncommercial pedagogical and scholarly purposes. “I am thrilled that this collaboration will bring a large part of the Schlesinger’s unique collection of photographic images to viewers worldwide,” said Professor Cott. Marmor adds, “The Schlesinger Library is by general consensus regarded as the leading repository for women’s history. Its photographic archives devoted to this subject are unrivalled. This collaboration should produce an exceptionally significant resource for scholars, teachers and students in a wide range of fields. ARTstor is delighted to be able to play a part in making it more widely available for scholarly and educational purposes.”

The Arthur and Elizabeth Schlesinger Library at the Radcliffe Institute for Advanced Study, Harvard University, is the leading national repository for women’s history. Founded in 1943 as the Women’s Archives at Radcliffe College, the Schlesinger Library has been at the forefront of collecting, cataloging and making available for research those papers, books, and other materials essential for understanding women’s lives and contributions. It houses one of the largest English language collections of published and unpublished sources that together document the range of issues, organizations and activities in which women have been central.

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November 11, 2004

Museum Education Program Announces Request for Proposals

The 2005 ARTstor Museum Education Program seeks proposals from small, medium and large museum education departments who wish to explore the integration of ARTstor into an already existing education program or design a new project that makes use of ARTstor with museum audiences, museum staff, or volunteers.

ARTstor staff will select promising proposals, and access to ARTstor will be provided at no charge to the museum and audiences identified in selected projects or programs from January 17 to June 30, 2005. Additional benefits for museums selected to participate in the program are support from ARTstor staff for project development, documentation and evaluation, and the publication of a final report encompassing all the participants in the 2005 ARTstor Museum Education Program to further the education field’s understanding about teaching with digital images.

On November 15 at 11:30 a.m. CST and November 22, 2004 at 1:00 PM CST an informational session and demonstration of ARTstor will be held online in Museum-Ed Office at LearningTimes.org. LearningTimes.org is an open community that allows demonstrations and discussions to take place in one environment for people at many different locations. These sessions are free, and open to all interested museum educators. Advance registration is required, for more information email krisw@museum-ed.org.

All proposals are due January 10, 2005.
For more information about the 2005 ARTstor Museum Education Program and for application materials, contact Nancy Allen, ARTstor Director of Museum Relations, at NSA@artstor.org or 646-274-2255. The full guidelines for proposals may be downloaded as a PDF on the ARTstor website.

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October 29, 2004

Collaborative Agreement Reached Between the Prussian Cultural Properties Foundation (Stiftung Preussischer Kulturbesitz) and ARTstor

The Prussian Cultural Properties Foundation and ARTstor Inc. announced today that they had reached an agreement to collaborate on the distribution through ARTstor of approximately 7,000 high quality digital images of sculptures from the Berlin State Museums.

The Berlin State Museums (Staatliche Museen zu Berlin) represent the result of centuries of collecting. In the 19th and early 20th centuries, the holdings increased enormously through generous donations, through archaeological fieldwork and through sponsored ethnological expeditions. Today the national museums in Berlin consist of sixteen museums, each with its own special area of competence. Despite the losses suffered between 1933 and 1945, most collections rank high among the major museums of the world.

This collaboration between ARTstor and the Prussian Cultural Properties Foundation will make a carefully curated selection of many of the most important objects from this rich body of visual material and related scholarship available to scholars, students, and curators electronically for the first time. The collaboration will focus on two museum collections. One project will focus on the unique collection of Greek, Hellenistic and Roman sculptures in the great Collection of Classical Antiquities, housed at the Pergamon Museum and on the first floor of the Karl Friedrich Schinkel’s landmark Altes Museum. A second project will be devoted to the important collections of the Museum of Ethnology. With over 500,000 artifacts from all over the world, the Museum of Ethnology is one of the largest and most important of its kind. It is devoted above all to the collection, preservation and study of the cultural artifacts of pre-industrial societies, especially those outside Europe. The present project will focus on the museum’s important African and Northwest Coast Native American collections, assembled and richly documented at a critical early juncture in the history of ethnological collecting and research. The museums’ curator will coordinate the selection of objects of greatest value to scholars and teachers for digitization. The Institute for Museum Research, an institution with nationwide responsibility for research and documentation, focusing also on all aspects of Museum studies across the various collections of the Berlin State Museums, will play a coordinating role in this partnership with ARTstor.

In reaching this agreement, Klaus-Dieter Lehmann, President of the Prussian Cultural Properties Foundation, and James Shulman, Executive Director of ARTstor, expressed their joint enthusiasm in collaborating to use digital technologies to make these important artistic and scholarly resources more broadly available for noncommercial pedagogical and scholarly purposes. “The Berlin State Museums have always been exceptionally significant places for scientific research and collection building. The modern possibilities of digital technology expand greatly on this potential and allow us not only to present these treasures, but also to link this effort with other important organizations, such as ARTSTOR, to a degree previously unimaginable,” said Klaus-Dieter Lehmann. James Shulman comments, “This important partnership with the Berlin State Museums within the Prussian Cultural Properties Foundation will produce an exceptionally significant resource for scholars, teachers and students. ARTstor is especially delighted to be part of this international collaboration. The coordination between the museums and libraries in Berlin – and the extent to which they are pursuing collaborative ventures both with universities and with other cultural organizations across Europe make them extraordinary partners for ARTstor.”

The Prussian Cultural Properties Foundation is one of the world’s major cultural organizations. It embraces the sixteen national museums in Berlin as well as the State Library, State Archive and a number of research institutes, all with their origins in the collections and archives of the former State of Prussia. All are uniquely linked to form an integrated network for the exchange of cultural heritage objects and documentation.

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October 20, 2004

Collaborative Agreement Reached Between Jonathan Bloom, Sheila Blair, Walter B. Denny and ARTstor

Professors Jonathan Bloom and Sheila Blair (Boston College), Professor Walter B. Denny (University of Massachusetts, Amherst) and ARTstor announced today that they had reached an agreement to collaborate on the distribution through ARTstor of up to 25,000 high quality digital images of the art and architecture of Islam from the personal archives of this team of leading scholar photographers.

Jonathan Bloom and Sheila Blair jointly hold the Norma Jean Calderwood University Professorship of Islamic and Asian Art. Jonathan Bloom’s primary areas of research include Islamic art and architecture, the history of paper, and art in the medieval Mediterranean world. Sheila Blair’s major areas of research are Islamic art, especially the arts of Iran and Central Asia, the art and architecture produced under the Mongols, calligraphy and books. In addition to specialized courses on various aspects of Islamic art and architecture ranging from the history of Jerusalem to the Silk Road, they team-teach a survey course on Islamic civilization. They are at work on an exhibition of Islamic ornament to be held in 2006 at the McMullen Museum at Boston College.

Walter B. Denny’s primary field of teaching and research is the art and architecture of the Islamic world, in particular the artistic traditions of the Ottoman Turks, Islamic carpets and textiles, and issues of economics and patronage in Islamic art. In addition to teaching a two-semester survey sequence on Islamic art and architecture, Professor Denny has taught a large undergraduate topical survey course, Introduction to the Visual Arts, every fall for more than three decades. His upper-level courses have focused on various aspects of Islamic and European art, including an historical survey of the art of the oriental carpet, and a course on orientalism in Western art.

In reaching this agreement, Walter B. Denny said, “This will be a marvelous opportunity to share a substantial portion of the over 140,000 images I have accumulated in my archive over 40 years. I anticipate that the availability of these resources through ARTstor will make it significantly easier for courses on Islamic art to be offered in institutions throughout the world.” James Shulman, Executive Director of ARTstor, commented: “The archives of our collaborators on this important project are renowned among Islamicists, and represent an enormous opportunity for ARTstor to provide wide-access to their unique archives. Sheila, Jonathan, and Walter know how difficult it is to build resources in their field, and we at ARTstor have great admiration for all that they have accomplished. We are thrilled that they want to join in our effort to make such resources widely available for the community of teachers, scholars, and students.”

ARTstor’s the three scholarly partners are long-standing colleagues and friends. They all contributed chapters to Islamic Art and Patronage, the catalogue accompanying a traveling exhibition of Islamic art from Kuwait collections. In the early 1990s they all worked together on the critically-acclaimed exhibition and catalogue, Images of Paradise in Islamic Art, which was also seen at museums around the country.

Jonathan Bloom and Sheila Blair have co-authored several books, including: Islam: A Thousand Years of Power and Faith (2000); Islamic Arts (1997); and The Art and Architecture of Islam: 1250-1800 (Yale University Press Pelican History of Art; 1994). Jonathan Bloom’s other major publications include: Paper Before Print: The History and Impact of Paper in the Islamic World (2001) (winner of the Charles Rufus Morey Award of the College Art Association); Early Islamic Art and Architecture (2002); and Minaret: Symbol of Islam (Oxford Studies in Islamic Art; 1989). He is currently at work on a book-length study of the art and architecture of North Africa and Egypt produced under the Fatimid dynasty between the tenth century and the twelfth.

Sheila Blair’s other major publications include ten books and more than 200 articles in journals, encyclopedias, colloquia and festschriften. Her books include: Islamic Inscriptions (1998) (winner of the British-Kuwait Friendship Society Book Prize for the best book on Middle Eastern studies published in Britain); A Compendium of Chronicles: Rashid al-Din’s Illustrated History of the World (The Nasser D. Khalili Collection of Islamic Art; 1995) (winner of the Bahari Prize for the best book on Persian civilization); and Islamic Calligraphy (due out next year from Edinburgh University Press).

Walter B. Denny’s recent publications include the books Gardens of Paradise: Ottoman Turkish Tiles of the 15th-17th Centuries (1998); Masterpieces of Anatolian Carpets from the Museum of Turkish and Islamic Arts, Istanbul (2001); Ipek: Imperial Ottoman Silks and Velvets (2002); and The Classical Tradition in Anatolian Carpets (2002). Iznik and the Ottoman Tradition is scheduled for publication in 2004 in Paris (Editions Citadelles et Mazenod). Other current projects include catalogues for two major collections of Islamic art, and a number of articles on Ottoman art and orientalism.

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September 1, 2004

National Gallery of Art and ARTstor Reach Collaborative Agreement

The National Gallery of Art (Washington, D.C.) and ARTstor announced today that they had reached an agreement to collaborate on the distribution through ARTstor of approximately 4,000 high quality digital images of French medieval architecture and approximately 3,000 images of American architecture from the Clarence Ward Archive.

The National Gallery of Art Library’s Department of Image Collections boasts unusually rich photographic archives. One of the most important and most heavily used collections is the Clarence Ward Archive, devoted mostly to French medieval (especially Gothic) and American architecture from Colonial times to the early 20th century. This archive is the product of focused photographic campaigns undertaken by Ward (1884-1973) who was a distinguished professor of art history at Oberlin College for many years. In conducting a series of photographic campaigns in the 1920s and 1930s, he enlisted Arthur Princehorn (1904-2001), staff photographer at Oberlin. The negatives produced by Ward and Princehorn are invaluable, both to medievalists and students of American architecture.

This project will digitize the ca. 7,000 Clarence Ward large format nitrate negatives, richly documenting Romanesque and Gothic architecture in France and selectively documenting American architecture from Colonial times through the early 20th century. These two landmark archives will greatly enrich ARTstor’s value to a wide audience in the history of art and architecture and related fields.

“The Clarence Ward archive of photographs of medieval buildings is an immensely important source for high quality images of Romanesque and Gothic architecture,” attests Caroline Bruzelius, A.M. Cogan Professor of Art History at Duke University. “To many students and scholars, these photographs will already be familiar from Jean Bony’s book on Gothic Architecture in France as well as other scholarly publications. Clarence Ward looked at, and photographed, buildings with the eye of an architectural historian, so that his pictures are especially valuable for the history of construction technique and architectural design. Moreover, a good proportion of the photographs were taken before the destruction wrought by World War II.”

In reaching this agreement, Neal Turtell, Executive Librarian, National Gallery of Art, expressed his enthusiasm in collaborating to use digital technologies to make these important scholarly resources more broadly available for noncommercial pedagogical and scholarly purposes. “The National Gallery of Art is excited to make the beautiful images from the Ward Archive more accessible to the academic community. It is a natural outgrowth of Paul Mellon’s commitment to excellence in art historical research,” commented Turtell. James Shulman, Executive Director of ARTstor, adds, “The Clarence Ward archive not only documents splendid works, but captures them in a splendid way. Working together with the National Gallery to make such a fragile and stunning collection available to scholars and teachers in a range of fields reminds us of the value of the resources that lay hidden in the world’s great photo archives. ARTstor is delighted to be able to play a part in making it available for scholarly and educational purposes.”

ARTstor was created in 2001 as an initiative of The Andrew W. Mellon Foundation, and is now an independent non-profit organization with a mission to use digital technology to enhance scholarship, teaching and learning in the arts and associated fields.

The Department of Image Collections of the Library at the National Gallery of Art is a study and research collection of images documenting European and American art and architecture. Established in 1943, the collection now contains almost 10 million black-and-white photographs, negatives, slides, and microform images of all aspects of Western art.

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June 1, 2004

ARTstor and AMICO Combine Efforts to Distribute Digital Images for Museums and Higher Education

The Art Museum Image Consortium (AMICO), a non-profit consortium of 39 museums, and ARTstor, a non-profit organization sponsored by The Andrew W. Mellon Foundation, announced today that AMICO will be phasing out its independent operations as it focuses on supporting ARTstor’s emerging leadership role in providing broad based access to what is expected to be the world’s largest single collection of online art images designed specifically for use by the education, research and arts communities. Both organizations expressed their belief that this important step will help museums, educational institutions, libraries, teachers, scholars, and students create and use this significant new community resource for the educational use of documented works of art. In phasing out its operations and endorsing ARTstor’s role, AMICO affirms to the museum and educational communities that ARTstor is well poised to carry forth and expand upon the mission that AMICO embarked on more than five years ago, when museum leaders recognized the vital need for an online library of high quality art images and associated data. While each museum that contributes content to AMICO will independently determine whether to make that content available through ARTstor, both AMICO and ARTstor expressed strong support for their continued sharing of their collections through ARTstor.

AMICO’s operations are scheduled to conclude in August 2005. Until then, it will continue to support the independent distributors of its image library as well as the needs of its museum membership and library subscribers. During this period, AMICO will also be sharing with ARTstor the experiences and knowledge gained over its years of operations as well as the software tools and standards for collection aggregation and distribution it has developed. AMICO and ARTstor expect that this will help ensure a smooth migration of AMICO museum image contributions to ARTstor for museums that choose to do so, as well as further bolster the confidence of AMICO subscribers that ARTstor is upholding the high standards for content that characterized the AMICO collection.

“The art museums that make up AMICO have achieved something extraordinary by having created a uniquely effective cooperative program for making digital art images available,” said Michael Conforti, Chairman of AMICO, and director of the Sterling and Francine Clark Art Institute in Williamstown, MA. “AMICO’s critical and path-breaking work will continue to be advanced into the future through ARTstor’s broad community-wide initiative,” Conforti added, “and we hope that as many museums as possible will see the advantages of and making their work available through ARTstor’s digital library.”

“I am certain that the opportunity for ARTstor to draw from AMICO’s strengths will allow ARTstor to build upon and extend the pioneering achievements of AMICO in order to create a valuable resource for education in fields that draw upon the visual arts,” stated Neil L. Rudenstine, former president of Harvard and Chairman of the ARTstor board.

Founded in 1996, the Art Museum Image Consortium (AMICO) is a not-for-profit consortium of institutions nationwide that have been collaborating to enable educational use of museum collection images and multimedia. With a library that numbers over 140,000 images, AMICO began as the vision of Maxwell L. Anderson, former director of the Whitney Museum and past President of the Association of Art Museum Directors, with a goal of providing educational institutions that license the AMICO Library with access to museum multimedia for educational use.

Anderson commented, “AMICO is today poised to hand off to ARTstor an unparalleled range of experience in making rich multimedia broadly available to educational users. All of us associated with AMICO are extremely hopeful about ARTstor’s future under the leadership of its Chairman Neil Rudenstine and its Executive Director James Shulman. Their commitment, together with the Mellon Foundation’s peerless advocacy of art museums and higher education, will yield great progress in making illustrated art collections widely accessible in the years ahead.”

“We have enormous admiration for Max Anderson’s original and bold vision,” said James Shulman, executive director of ARTstor, “and the way he and the AMICO staff transformed that vision into a reality. Their collective talent and the Herculean efforts of the staff at the member museums have shown the enormous community-wide benefits of collaboration.”

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