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The world has lost a uniquely gifted leader and friend. Bill Bowen passed away peacefully at 83 on October 20, 2016. He dedicated his entire professional life to the world of education, and was founding chairman of JSTOR and ITHAKA and founding trustee of Artstor. We extend our heartfelt sympathies and deepest condolences to his family, friends, and colleagues.

Learn more about Bill Bowen’s extraordinary life here.

Victor Hugo, Vianden Seen through a Spider Web, 1871. Image and original data provided by Réunion des Musées Nationaux / Art Resource, N.Y.; artres.com

Some stories we’ve been reading this month:

• O Brazil first showed up on maps in the 14th century. For the next five centuries its size and shape often morphed, its location wandered from Ireland to North America, and its name varied. Which is not so weird considering it never existed.
• Finally, you can cook conger eel of the rising sun and frog pasties–Salvador Dalí’s surreal cookbook is being reprinted!

Hablot Knight Browne, The London Stereoscopic Company. The Ghost in the stereoscope, 1856 – 1859. Image and original data provided by Rijksmuseum: www.rijksmuseum.nl

In 1862, amateur photographer William H. Mumler of Boston took a self-portrait in his studio, unaware of a ghostly apparition lurking directly behind him. It wasn’t until he viewed the resulting image of a pellucid arm draped casually across his shoulder that he realized the camera must have exposed the lingering spirit of his deceased cousin. With this eerie, novel image, Mumler, a jewelry engraver by trade, became the first of many photographers to claim having photographed a spirit. Photographs like Mumler’s provided timely evidence that spirits of the deceased freely interacted with the world of the living–a discovery he would milk for profit within the framework of the Spiritualist movement.

Good news – Artstor and JSTOR are back together again in Charleston exploring new ways to bring you images and journals, books, and primary sources for education and research. This October 31 to November 5, celebrate with us  at tables 95 and 36—sign up for our raffle and pick up some stylish swag! And don’t forget to join us for our panel:

First-Time Digital Collection Building: How to Manage Time, Resources, and Expectations
November 4, 3:35 PM

This panel brings together a group of librarians who have created their first institutional digital collections within the last year. You will learn about strategies, workflows, resource allocation, and lessons learned–everything you need to know about getting your own project up and running. Attendees will also be invited to give feedback to help the group realize best practices.

Panel members: Dave Chatham, Library Director, Presbyterian College; Maryska Connolly-Brown, Technical Services Librarian, Hampden-Sydney College; David Wiseman, Manager of Library Information Systems, Roanoke College

Moderator: Erin McCall, Senior Implementation Manager, Artstor

Reliquary of Sainte-Foy, from Conques, ca. 1000, with gothic additions. Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y., artres.com

Join Heather Madar, Chief AP® Art History Reader and specialist in the Art History of the Northern Renaissance, and Artstor in a conversation  about best practices in the teaching of AP® Art History.

This year brought us a completely new exam, the first produced in accordance with the revised AP® Art History Curriculum Framework, and Heather will be looking at how students have performed, with a focus on understanding the nature of the exam, its relationship to the curriculum framework, and the scoring methodology used. The session will conclude with audience questions and the opportunity for informal discussion.

This free webinar is scheduled for Wednesday, October 26 at 6 PM EDT. Sign up now!

Advanced Placement® and AP® are trademarks registered and/or owned by the College Board, which was not involved in the production of, and does not endorse, this website.

Raphael; Saint Michael and the Devil; c. 1503-04; Musée du Louvre. Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.; artres.com; scalarchives.com; © 2006, SCALA, Florence/ART RESOURCE, N.Y.

Carlo Crivelli | Saint George | ca. 1472 | Image © The Metropolitan Museum of Art

The Christian festival of Michaelmas, also known as the Feast of Saint Michael the Archangel, is celebrated in many parts of the world on September 29.

Michaelmas celebrates the story of Saint Michael defeating Satan, which is often depicted in the motif of Saint George and the Dragon, Saint George being the Archangel Michael’s earthly counterpart. The earliest depictions of this story go all the way back to the 10th century. The images of Saint George fighting the dragon in the Artstor Digital Library span centuries.

Charlotte Perriand, La Maison du jeune homme, Brussels, Belgium, 1935, © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris, Data source: Graduate School of Architecture, Planning, and Preservation, Columbia University and Avery Architectural and Fine Arts Library, Columbia University

An interview with the graduate student curators of Avery/GSAPP Architectural Plans and Sections

The second phase of Avery/GSAPP’s collection of 20,000 architectural plans, sections, and related materials was recently released in the Artstor Digital Library. To celebrate the completion of our two-year collaborative project with Avery Library and GSAPP, Lisa Gavell, Artstor’s Senior Manager of Metadata & Content, spoke with five of the graduate student co-curators who contributed to the project: Sabrina Barker, Serena Li, Ernest Pang, involved from the beginning of the project, as well as Sharon Leung and Ayesha S. Ghosh. Working with Avery staff, they pored over a vast array of Avery’s holdings in order to compile a selection that reflects the most important modernist architectural works of the 20th and 21st centuries. The result is a resource of essential documentation of modern architecture, shared online for the first time.

Editor’s note: this post has been updated to reflect Artstor’s platform changes.

We invited Stanton Belford, Ph.D., assistant professor of biology at Martin Methodist College, to tell us about his three Marine Biology collections in JSTOR Forum (formerly Shared Shelf): Red Sea, Trinidad, and Key Largo.

Bearded fireworm (Hermodice carunculata). From the Martin Methodist College Marine Biology Collection: Trinidad

Before describing the marine biology digital collections, I would like to mention I first became interested in marine science thanks to my high school teacher, who allowed us to experience informal science education with the reefs as our classroom. Here I saw a kaleidoscope of colors bursting through the ocean’s blue: corals, fishes, invertebrates, all hidden underwater, just waiting for my eager eyes to discover them.

Victor Hugo, Vianden Seen through a Spider Web, 1871. Image and original data provided by Réunion des Musées Nationaux / Art Resource, N.Y.; artres.com

Some stories we’ve been reading this month:

Visual arts

• Artists’ model Jane Morris served as muse to the Pre-Raphaelites, married one and became the undying love of another–and was a fascinating person all around.
• Zoos make money selling paintings made by animals. Are they art?
• For unknown reasons, René Magritte cut up a painting into four pieces and reused the canvas for new works. Conservators recently discovered one of the pieces–but there’s still one missing.
• Paul Klee’s response to crashing fighter planes during WWI was, uh, unique.
• One of the leading experts on Degas has changed his long-held (and combative!) stance and now thinks that a long-disputed plaster of the artist’s “Little Dancer” is indeed an earlier model of the famous sculpture.
• Not sure which of the stories behind this hyper-realistic sculpture is true, but it doesn’t matter because the piece itself is unbelievable.
• Is Edward Hopper’s gloomy painting Nighthawks optimistic? Watch the video.

Books

• The only portrait made of Shakespeare while he was alive might be getting touch-ups, and it could change what historians think the Bard looked like.
• William Empson, best remembered for Seven Types of Ambiguity, a classic of literary criticism, also wrote a book about Buddhist sculpture, but a friend confessed to losing the manuscript in a taxi. Decades later the book has been found–and it looks quite interesting.
• When no preconceived image of flying saucers existed, how did book designers tackle UFOs and alien invasions?
• When architectural photographer Elizabeth Felicella was not working for clients, she spent her free time photographing all 210 branches of New York City’s Public Library system.
• Beautiful: Cy Twombly and poetry.

Archaeology

• A decorated floor uncovered in the buried ruins of an ancient synagogue in Israel may depict a legendary meeting with Alexander the Great. Even if it’s not Alexander, the mysterious mosaic itself is great.
• Archaeologists at Turkey’s neolithic site of Çatalhöyük have unearthed an intact complete female figurine.
• Earlier this year, the Metropolitan Museum installed a monumental statue of Athena Parthenos from Pergamon on special loan from the collection of the Pergamon Museum in Berlin. Watch how they did it.

Technology

• Who says the old masters don’t speak to us today? A new project pairs modern news photos with old masters, using machine learning to match artwork with images coming from the 24/7 news cycle.
• Don’t bury me in a suit, bury me in a suit of mushrooms that will encourage bodily deterioration and remediate any environmental toxins in the flesh.

Miscellanea

• The sad but fascinating story of how a failed homesteader who died a ruined man became the principal documentarian of America’s pioneer period.
• If there’s one upside to scientists’ embarrassing mishaps in the field is that they could end up being immortalized in cartoons.

Le Corbusier, Maison Cook; Villa Cook, 1926. Data source: Graduate School of Architecture, Planning, and Preservation, Columbia University and Avery Architectural and Fine Arts Library, Columbia University, © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris

Le Corbusier, Philips Pavilion at World Expo 1958, 1957. Data source: Graduate School of Architecture, Planning, and Preservation, Columbia University and Avery Architectural and Fine Arts Library, Columbia University, © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris

Le Corbusier & Prouvé, Jean, Ecoles Volantes, 1939-1940. Data source: Graduate School of Architecture, Planning, and Preservation, Columbia University and Avery Architectural and Fine Arts Library, Columbia University, © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris

Artstor, the Columbia Graduate School of Architecture, Planning, and Preservation (GSAPP), and the Avery Architectural & Fine Arts Library are now sharing an additional 10,000 images of architectural plans and sections and related materials in the Digital Library.

The collection, now totaling nearly 20,000 images, is based on GSAPP’s History of Modern Architecture curriculum and covers the history of modern buildings, focusing primarily on the 20th-century, with a few earlier and later projects spanning from 1871 to 2013. Containing over 2,000 projects from 60 countries, the bulk of the collection is comprised of built works, but also includes studies and unbuilt works. This second phase notably includes 100 projects by the master architect Le Corbusier, 100 projects in South America, and over 125 in Japan. The result of this collaboration is a rich body of visual material and related scholarship, available online for the first time.

The Avery/GSAPP Plans & Sections collection involved the efforts of Avery librarians and staff, GSAPP VRC curators, and more than 25 GSAPP students working together across many of the GSAPP programs — including M.Arch, Historic Preservation, Urban Design and Urban Planning – and contributing their diverse language, imaging and technology skills and their deep interest in the history of architecture.