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Have you heard about Artstor’s Curriculum Guides project? Instructors around the world are curating sets of images from the Digital Library as an aid in teaching a variety of subjects.

Would you like to share your work with colleagues at institutions around the world? We are looking for faculty collaborators who teach in areas such as history, the social sciences, and cultural studies. If you are interested in taking part, please contact us at curriculumguides[at]artstor.org to learn more.

We look forward to hearing from you and encourage you to pass this on to your colleagues!

We recently wrote about Slow Art Day, and were quite happy to finally try it ourselves this past weekend.

To recap, a recent study estimated that museumgoers spend an average of just 17 seconds looking at an individual artwork. To combat this habit, Phil Terry, CEO of Collaborative Gain, started a movement in which a volunteer host selects art at a gallery or museum, participants meet at the venue to examine several works for five to ten minutes each, and then discuss their impressions over lunch or coffee.

Sara Cedar Miller, Bethesda Fountain; Angel of the Waters, Central Park, New York. Image and original data provided by the Foundation for Landscape Studies; © Sara Cedar Miller

Sara Cedar Miller, Bethesda Fountain; Angel of the Waters, Central Park, New York. Image and original data provided by the Foundation for Landscape Studies; © Sara Cedar Miller

Artstor has recently released more than 1,100 photographs of Central Park from the Foundation for Landscape Studies in the Digital Library. We celebrated the occasion by speaking with Elizabeth Barlow Rogers, who founded the organization in 2005 and serves as its president.

Ms. Rogers is a pivotal figure in the history of Central Park. She was appointed the Park’s administrator in 1979, charged with overseeing all aspects of daily operations. She was instrumental in founding the Central Park Conservancy in 1980, and she guided the Park’s extraordinary restoration. Rogers led the Conservancy as president until 1996, and she is now a life trustee. Her influence extends far beyond New York City, and she is frequently consulted by groups in other cities and countries desiring to form park conservancies modeled on the one for Central Park.

After stepping down from the presidency of the Central Park Conservancy, Rogers founded the Cityscape Institute. She subsequently created the Garden History and Landscape Studies curriculum at the Bard Graduate Center in 2002. She is the author of several books, including The Forests and Wetlands of New York City (1971), Rebuilding Central Park: A Management and Restoration Plan (1987), Landscape Design: A Cultural and Architectural History (2001), Writing the Garden: A Literary Conversation Across Two Centuries (2011), and Learning Las Vegas: Portrait of a Northern New Mexican Place (2013).

This post has been updated to include new information about Artstor’s public collections, formerly made available on Shared Shelf Commons.

Franklin C. Daiber, Peony. UD Library: Franklin C. Daiber Botanical Collection

The Delmarva Peninsula gets its name from the three states it’s a part of: DELaware, MARyland, and VirginiA. You could say Delmarva is technically an island, since you have to cross one of five bridges (one of them being the 20-mile long Chesapeake Bay Bridge-Tunnel) to get across the Chesapeake and Delaware Canal, but since the canal is man-made it’s still considered a peninsula.

Albrecht Dürer, Hare (A Young Hare), 1502, Graphische Sammlung Albertina. Image and original data: Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.

Easter is around the corner, and with it comes the inevitable barrage of images of the Easter bunny. The strange thing is that the only mentions of rabbits in the Bible are prohibitions against eating them in the Old Testament. So what gives?

The underlying idea is that rabbits are connected to the idea of rebirth—not only do they reproduce prodigiously, at one time they were believed to reproduce asexually. The connection of rabbits to rebirth also occurs in non-Christian societies: The Rabbit in the Moon (instead of our Man in the Moon) is a familiar symbol in Asia, and was part of Aztec legend, tying the idea of rabbits to a “rebirth” every night. But other qualities of rabbits and hares also get highlighted in folklore, including their mischievous side, playing the role of cunning tricksters in Native American and Central African mythologies.

Artstor announces the first four recipients of a new initiative to preserve and increase the availability of at-risk collections. The selected projects are:

• The James Cahill Archive of Chinese art (University of California, Berkeley)
• Excavations and finds in Oaxaca by Judith Zeitlin, 1973 and 1990 (University of Massachusetts, Boston)
• Ronald M. Bernier Archive, Buddhist initiation rituals in Nepal in the ’70s and ’80s and key historical sites from Myanmar (University of Colorado Boulder)
• The Mohamed Makiya Archive, Aga Khan Documentation Center at MIT’s archive of Iraqi architect and urban planner Mohamed Saleh Makiya (Massachusetts Institute of Technology)

Claude Monet, Water Lilies, 1919. Image © The Metropolitan Museum of Art

After the coldest recorded February in New York City since 1934, spring has finally sprung, and we could not be more relieved.

Georges Lepape (illustrator); Paul Poiret (costume designer), “Les Jardins de Versailles – Costume de Paul Poiret dans le goût Louis XIV”, 1913. Image and catalog data provided by Allan T. Kohl, Minneapolis College of Art and Design, Lepape: © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris, Poiret: © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris

A poorly taken photograph of a dress and the simple question “what color is it?” spread all over social media and was picked up by several news outlets. Some people in our office saw black and blue, others white and gold, but we all agreed—enough is enough with #thatdress! The Artstor Digital Library offers you thousands of more interesting dresses from collections like Museum at FIT, Gazette du Bon Ton (Minneapolis College of Art and Design), The Metropolitan Museum of Art: Brooklyn Museum Costumes.

Rosso Fiorentino (Giovanni Battista di Jacopo), Angel Playing a Lute; detail, 1521, Galleria degli Uffizi. Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.; artres.com; scalarchives.com; (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.

Have you ever wondered why you rarely see the names of the greats from the Italian Renaissance reoccur in art history?  Why do we not see more than one artist with names such as Ghirlandaio, Masaccio, or Tintoretto? It’s because a lot of these were not really names, they were nicknames! Some, like Verrocchio (“true eye”), were flattering, while others, like Guercino (“squinter”), not so much.

Here’s a list of some of the most memorable names from the Renaissance and what they really mean:

Various authors including Lambert le Tort, Alexandre de Bernai (de Paris), and others, Romance of Alexander; Folio #: fol. 130r, 1338-1344. Image and original data provided by the Bodleian Library, University of Oxford.

Gong Xi Fa Cai! Happy Lunar New Year! The Chinese Year of the Goat begins February 19, 2015 and lasts through March 5, 2015.

You might see references to this being the year of the sheep, or even of the ram. This stems from the fact that the Chinese use one character (yang in Mandarin) for these three different horned animals, but it seems that the goat is the prefered choice by the majority of Chinese people.