Blog Category: Collection release

Takashima Kazuyuki; Detailed map of the developed port of Yokohama; 1859. Image and original data courtesy of University of British Columbia Library, Rare Books and Special Collections

Artstor and the University of British Columbia are now making available approximately 350 Japanese maps and prints from the UBC Library’s Tokugawa collection.

The University of British Columbia Library (UBC Library) is one of the largest academic libraries in Canada and consistently ranks among the top university research libraries in North America. UBC Library has 14 branches and divisions, two campuses (Vancouver and Kelowna), one off-site hospital library, and the Irving K. Barber Learning Centre – a multi-purpose teaching and learning facility.

Dal Lake, vegetable merchants on boats Image and original data provided by Barbara Anello; Photographs © Barbara J. Anello

Lower East Side: Dancing Ninja, Near 105 & 104; Graffiti Lower East Side Manhattan 1991. Photograph © Barbara J. Anello

Artstor is sharing two new collections of photographs by Barbara J. Anello: graffiti in Lower Manhattan in the 1980s and 90s, and Tibetan Buddhist art and architecture in Ladakh, India.

The photographs from Ladakh were exhibited at the Overseas Press Club in New York City and Kenyon College in Gambier, Ohio in 1982.

Katsushika Hokusai, Under Mannen Bridge at Fukagawa, 1830-1831. Image and original data contributed by Hofstra University Museum

Artstor and the Hofstra University Museum have released approximately 200 images from the Museum’s permanent collection in the Digital Library.

Integral to the academic mission of Hofstra University, the Hofstra University Museum advances knowledge and understanding through experiences with authentic works of art from the world’s diverse cultures. The Museum’s mission is achieved through collection acquisition and preservation, exhibitions, and interpretive resources.

Melvin Edwards; Inside Out; 2008. © Lafayette College; © Melvin E. Edwards; © 2012 Artists Rights Society (ARS), New York

Artstor and Lafayette College have released more than 500 images in the Digital Library from the Experimental Printmaking Institute.

The Experimental Printmaking Institute (EPI) at Lafayette College is a unique printmaking laboratory that enables students to work hand in hand with professional artists using traditional techniques in concert with experimental approaches. For almost 20 years, EPI has produced editions by artists such as Faith Ringgold, Richard Anuszkiewicz, David Driskell, Grace Hartigan, and Sam Gilliam. The results of these collaborations are included in the permanent collections of many important museums, colleges, and universities. EPI partnered with Lafayette College’s Digital Scholarship Services (DSS) department to digitize and catalog its collection.

Kondane Caves, Caves 1 & 2; 100 BCE; India, Maharashtra. Image and original data provided by David Efurd © David Efurd

Artstor and David Efurd are now sharing approximately 10,000 images of rock-cut Buddhist caves, sites, sculptures, and monasteries in India and Korea; Hindu and Jain sites; and ancient and medieval sculptures from museums in India.

Between the 3^rd century BCE and the 10^th century CE, Buddhist, Hindu, and Jain temples and monasteries were carved into stone cliffs in India. Efurd documented well-known, highly embellished cave sites such as Ajanta, Ellora, Bhaja, Karli, Elephanta, Jogeshvari, and Udaigiri, as well as lesser-known sites like Karadh, Kondana, and Dhamnar. Efurd also photographed many other archaeological sites and works in various museums, such as the Indian Museum in Calcutta.

Governor’s Chair, London, England, ca. 1750, Colonial Williamsburg Foundation

Portrait of Louisa Airey Gilmor and Her Daughters, Jane and Elizabeth, Charles Willson Peale, Baltimore, Maryland, 1788, Colonial Williamsburg Foundation

The Colonial Williamsburg Foundation is pleased to collaborate with Artstor to make available approximately 1,000 images of works from the Foundation’s collections in its Digital Library. Spanning the breadth and depth of the collections, works from all aspects of the collections including paintings, drawings, maps, prints, textiles, ceramics, glass, metals, furniture, numismatics, and mechanical arts and arms will be shown, effective May 15, 2016.

Elizabeth Catlett; Dancing, 1990. Image and original data provided by Amistad Research Center, Tulane University. Art © Estate of Elizabeth Catlett / Licensed by VAGA, New York, NY. This work of art is protected by copyright and/or related rights and may not be reproduced in any manner, except as permitted under the Artstor Digital Library Terms and Conditions of Use, without the prior express written authorization of VAGA, 350 Fifth Avenue, Suite 2820, New York, NY 10118. Tel.: 212-736-6666, fax: 212-736-6767, email: info@vagarights.com.

Artstor and the Amistad Research Center are now making available in the Digital Library nearly 300 images from the Center’s art collection, focusing on works by Harlem Renaissance masters from the Harmon Foundation.

The collection in Artstor includes Jacob Lawrence’s The Life of Toussaint L’Ouverture, the artist’s first historical series, as well as the work of many other important African American artists such as Romare Bearden, Hale Woodruff, Aaron Douglas, and Elizabeth Catlett.

Artstor and the RISD Museum are now sharing more than 3,600 images from the Museum’s permanent collection in the Digital Library.

The RISD Museum is an internationally renowned art museum distinguished by its relationship to one of the world’s leading colleges of art and design. Founded alongside the Rhode Island School of Design (RISD) in 1877, the Museum houses seven curatorial departments and approximately 100,000 objects dating from 3700 BCE to the present day, and featuring major figures in the history of visual art and culture. Highlights include one of the nation’s finest collections of costume and textiles, with more than 26,000 objects created since 1500 BCE; the world’s largest collection of Gorham silver, housed in the first museum wing devoted to American decorative arts; a 12th-century seated Buddha, one of the largest Japanese statues in the United States; and significant collections of ancient Egyptian objects, Impressionist paintings, contemporary British art, 20th- and 21st-century design, and more.

For more details, visit the RISD Museum page in Artstor.

You may also be interested in A tour of the RISD Museum in 20 objects

Composite Pendant, 18th century / 19th century, Shangri La, Doris Duke Foundation for Islamic Art. Photo: Richard Walker

Artstor has released approximately 300 new images of Islamic and South Asian art from the Shangri La, Doris Duke Foundation for Islamic Art in the Digital Library.

This brings the collection total to nearly 800 images of Indian jewelry and enamels; Syrian, Indian, Spanish, and Persian furniture, doors, and ceilings; Persian and Turkish tile panels and portable ceramics; and Central Asian, Persian, Turkish, and Indian textiles.

Duke developed a lifelong interest in Islamic art during her travels, particularly in decorative arts of the 17^th through 19^th centuries, especially those of the Ottoman, Mughal, Safavid, and Qajar dynasties, and she also commissioned art from contemporary Muslim artists. Over the course of nearly 60 years, Duke amassed

Zhao Kiao Yang (b. 1997), Kung fu of China, 2004. © The International Museum of Children’s Art, Oslo, Norway

Artstor and The International Museum of Children’s Art have released approximately 200 images of works of art from the museum’s collection in the Artstor Digital Library.

The International Museum of Children’s Art (Det Internasjonale Barnekunstmuseet) in Oslo, Norway is the world’s first museum dedicated to art created by children, and today contains artworks by children and young adults from more than 180 countries. The collection is not only of interest to art appreciators, but will intrigue researchers across disciplines, from psychology to education.