Blog Category: Collection release

Artstor and the Pacita Abad Art Estate are collaborating to make available 500 images of the artist’s works in the Digital Library.

The internationally renowned Philippine-American artist Pacita Abad (1946 – 2004) was born in Batanes, a small island in the South China Sea. Her 32-year painting career began when she had to leave the Philippines due to her student political activism against the dictatorship of Ferdinand Marcos, and she traveled to the United States to study law. However, after a few years she switched careers to dedicate her life to art and studied painting at the Corcoran School of Art in Washington, D.C. and The Art Students League in New York City. Since that time Abad never stopped being a nomadic artist and painted the globe while working on six continents and traveling to over 50 countries. During her career she created over 4,500 artworks, and her paintings were exhibited in more than 200 museums and galleries around the world.

Artstor and the Colby College Museum are collaborating to make available approximately 1,000 additional images from the museum’s permanent collection in the Digital Library.

Founded in 1959, the Colby College Museum of Art has built a significant permanent collection of more than 6,000 works. The museum serves both as a teaching resource for Colby College and as an active cultural institution for the residents of Maine and visitors to the state.

For more detailed information about this collection, visit the Colby College Museum of Art page in Artstor

Work: Robert Longo, Portrait of Jeffrey, 1980, © 2012 Artists Rights Society (ARS), New York; Image: D. James Dee.

Artstor has released more than 550 images from the D. James Dee Archive of contemporary art in the Digital Library. The collection includes images of work by Claes Oldenburg, Robert Gober, Hannah Wilke, Tauba Auerbach, Glenn Ligon, Rudolf Stingel, Sherrie Levine, Andy Warhol, and many others. These photographs were taken for the artists or for the gallery where they were exhibited: Deitch Projects, Paula Cooper Gallery, Ronald Feldman Fine Arts, and DC Moore. Specifically, there are wonderful works on paper by Donald Judd and Brice Marden exhibited at Susan Sheehan Gallery, drawings by Oldenburg and Gober, fashion sketches by Stephen Sprouse shown at Deitch Projects, painted photographs by Duane Michals shown at DC Moore, and paintings by Dan Walsh.

These images, a sampling of digital photographs taken between 2008 and 2013, are the first batch in what will eventually be a collection of more than 100,000 photographs taken by Dee of leading artists’ work from the 1970s until his retirement in 2013. During this time he worked as the “SoHo Photographer,” documenting works for artists and blue chip galleries at a time when the SoHo neighborhood was the center of the New York art world.

Thomas McGovern, Untitled, 1992. © Thomas McGovern

Artstor and Thomas McGovern are now sharing more than 100 photographs from the artist’s series covering the AIDS crisis in the Digital Library.

The photographs, taken between 1987 and 1997, portray individuals with AIDS and activist demonstrations in the U.S. “While I have photographed many aspects of the crisis since 1987, it is the portraits of people with AIDS that are central to the project and it is around these that the other photos of events revolve,” McGovern writes.

Wangechi Mutu, Yo Mama, 2003. Courtesy of the artist and Susanne Vielmetter Los Angeles Projects

Artstor and Wangechi Mutu are now sharing all the images included in the artist’s two major museum surveys: Wangechi Mutu at the Museum of Contemporary Art in Sydney, and A Fantastic Journey, a travelling show that opened at the Nasher Museum of Art.

Kenya-born artist Wangechi Mutu scrutinizes globalization by combining found materials, magazine cutouts, sculpture, and painted imagery. Mutu is best known for provocative collages that combine drawn elements and image fragments from a variety of media such as fashion magazines, ethnographic journals, and pornography to explore gender, race, war, colonialism, global consumption, and the exoticization of the black female body.

Joseph Peller, Night Owls. © Joseph Peller

Artstor and Joseph Peller have released more than 30 images of his artworks in the Digital Library.

Joseph Peller (b.1953) explores the haunting notions of isolation and ambivalence inherent in the unnoticed rituals of modern urban life. He experiments with a wide range of pure and mixed techniques in painting, printmaking and sculpture.

Landscape architect: Gertrude Jekyll, and architect: Edwin Lutyens, | Le Bois des Moutiers | Image and original data provided by the Foundation for Landscape Studies | © Elizabeth Barlow Rogers, Foundation for Landscape Studies

The Artstor Digital Library and the Foundation for Landscape Studies are now sharing more than 1,100 additional images, the large majority of them documenting the renovation of New York City’s Central Park in the 1980s.

This brings the collection’s total in the Digital Library to 8,000 images from around the world. These images provide an overview of landscape studies, encompassing all cultural landscapes, including gardens, parks, cities, suburbs, rural areas, and the humanized wilderness. A subset of the collection consists of engravings from rare books dating from the 16th through early 20th century.

The Foundation for Landscape Studies is a nonprofit with a mission to foster an active understanding of the importance of place in human life. To this end, the foundation initiates collaborative projects with other organizations, institutions, and individuals that promote and advance landscape history and historic landscape design, theory, and practice.

Unknown (Moche), Vessel (left view), 100-800 C.E., Peru, north coast. Fowler Museum (University of California, Los Angeles)

Artstor and the Fowler Museum at UCLA are now making nearly 3,200 images of Andean ceramics collection available in the Digital Library.

The Fowler Museum’s collections include more than 120,000 art and ethnographic objects and approximately 600,000 archaeological objects from ancient, traditional, and contemporary cultures around the world.

The Fowler Museum at UCLA was established in 1963 to consolidate the collections of non-Western art and artifacts dispersed throughout the campus of the University of California, Los Angeles. As one of the top university museums in the United States, the Fowler initiates research projects, fieldwork, publications, exhibitions, and public programming to enhance the understanding and appreciation of global arts cultures.

Ben Shahn | Untitled (Four Men, One Playing a Guitar) | ca. 1930s | Art © Estate of Ben Shahn/Licensed by VAGA, New York, NY. This work of art is protected by copyright and/or related rights and may not be reproduced in any manner, except as permitted under the ARTstor Digital Library Terms and Conditions of Use, without the prior express written authorization of VAGA, 350 Fifth Avenue, Suite 2820, New York, NY 10118. Tel.: 212-736-6666, fax: 212-736-6767, email: info@vagarights.com.

Artstor and the San Francisco Museum of Modern Art (SFMOMA) are now sharing more than 300 additional images of modern and contemporary art in the Digital Library. The 1,300 images now available in Artstor consist of highlights from the museum’s permanent collection of modern and contemporary art.

International in scope, SFMOMA‘s permanent collection includes more than 26,000 works of painting, sculpture, photography, architecture and design, and media arts from 1900 to the present. Artists represented include: Robert Arneson, Robert Bechtle, Elmer Bischoff, Louise Bourgeois, Joan Brown, Jay DeFeo, Richard Diebenkorn, Dan Flavin, Sam Francis, Philip Guston, Sargent Johnson, Ellsworth Kelly, Dorothea Lange, Sol LeWitt, Nathan Oliveira, David Park, Robert Rauschenberg, Doris Salcedo, Richard Serra, Clyfford Still, Wayne Thiebaud, and Edward Weston, among others.

Jamini Roy, Queen on Horseback. University of Florida: Harn Museum of Art

Artstor and the University of Florida are now sharing more than 700 images from the Samuel P. Harn Museum of Art in the Digital Library.

The images are a selection of artworks representing the Samuel P. Harn Museum of Art’s five core collecting areas: African art, Asian art, modern art, contemporary art, and photography, as well as its holdings of Ancient American art, Oceanic art, and Prints and Drawings before 1850.

As an integral part of the University of Florida, the museum advances teaching and research and serves as a catalyst for creative engagement between the university and diverse local, state, national and international audiences.