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Blog Category: Public collections

October 9, 2019

New—Open: Folger Shakespeare Library

Open: Folger Shakespeare Library is now available with a selection of more than 8,000 images from the Digital Image Collection of the Folger Shakespeare Library. Provided under Creative Commons licenses, these images illuminate the history and output of Shakespeare and theater in general, from illustrated manuscripts and rare books, costume and stagecraft, to actors’ portraits and miscellanea.

Beginning in 1889, Henry Clay Folger and his wife, Emily Jordan Folger, began to amass rare books and associated media, founding the Folger Shakespeare Library, the world’s leader in Shakespeareana, in 1932. Their success may be gleaned from a handful of outstanding examples across the Open Artstor collection. 

John Austen. Hamlet

John Austen. Hamlet, from a set of 121 original drawings. By 1922. Pen and ink. Image and data provided by the Folger Shakespeare Library. CC BY-NC-ND 4.0.

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September 27, 2019

New: 100,000 images from the Wellcome Collection

A woman dropping her porcelain tea-cup in horror upon discovering the monstrous contents of a magnified drop of Thames water; revealing the impurity of London drinking water. Colored etching by W. Heath, 1828

A woman dropping her porcelain tea-cup in horror upon discovering the monstrous contents of a magnified drop of Thames water; revealing the impurity of London drinking water. Colored etching by W. Heath, 1828. Credit: Wellcome Collection. CC BY 4.0.

The Open: Wellcome Collection is now available, featuring a selection of more than 100,000 images from the Wellcome Collection that connect science, medicine, technology, life, and art under Creative Commons licenses.

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July 25, 2019

Three ornithology collections that are free as the birds

The history of ornithology (the scientific study of birds) has involved observations captured in imagery going as far back as prehistoric stone-age drawings.[1] As ornithology developed as a natural science it faced the aesthetic challenge of convincingly capturing depictions of different bird species,[2] leading to beautifully documented and historically fascinating works of illustration.

Several shared collections on JSTOR — available freely to anyone — showcase ornithological illustration starting as early as the 16th century and on through to the 19th century. Here are three of our favorites:

Cornell University’s Laboratory of Ornithology Gallery of Bird and Wildlife Art has more than 1,000 works of art from the last two centuries by bird artists such as Alexander Wilson, John James Audubon, and Louis Agassiz Fuertes.

Alexander Pope, Jr. The Pinnated Grouse. 1878.
Alexander Pope, Jr. The Pinnated Grouse. 1878. Cornell University Lab of Ornithology Art Collection.
Louis Agassiz Fuertes. Imperial Eagle. Ca. 1895.
Louis Agassiz Fuertes. Imperial Eagle. Ca. 1895. Cornell University Lab of Ornithology Art Collection

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July 9, 2019

Books of hours: illuminating the Trinity College Watkinson Library special collections

Attributed to Studio of unknown French (illuminator), Possibly Style of unknown Flemish (illuminator). c.1470 (creation date). Book of Hours (Horae Beatae Mariae Virginis in Usum Ecclesiae Romanae cum Calendario), Folio 86v: Hours of the Virgin: Compline: Entombment, overall, left, with Folio 87r at right. Illumination, Leaf (component), Manuscript. Place: Trinity College, Watkinson Library (Hartford, Connecticut, USA).

Attributed to Studio of unknown French (illuminator), Possibly Style of unknown Flemish (illuminator). c.1470 (creation date). Book of Hours (Horae Beatae Mariae Virginis in Usum Ecclesiae Romanae cum Calendario), Folio 86v: Hours of the Virgin: Compline: Entombment, overall, left, with Folio 87r at right. Illumination, Leaf (component), Manuscript. Place: Trinity College, Watkinson Library (Hartford, Connecticut, USA).

Books of hours are devotional texts that contain a personalized selection of prayers, hymns, psalms, and New Testament excerpts chosen specifically for their owner. Popular in the Middle Ages, the most expensive of these books could be highly decorated, but the more affordable versions usually only showed minimal decoration, usually of the first letter of a page. They had, in fact, become so popular by the 16th century that they were often owned by people from all walks of society; servants even had their own copies—there is a court case from 1500 where a pauper woman was accused of stealing a servant’s book of hours. 

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March 4, 2019

What’s in the box? The art of reliquaries

A gilt-silver reliquary with translucent enamel decoration.

Attributed to Jean de Touyl. Reliquary Shrine from the convent of the Poor Clares at Buda. ca. 1325-50. Image and data courtesy the Metropolitan Museum of Art; The Cloisters Collection.

Relics—bits of bone, clothing, shoes or dust—from Christian martyrs became popular in Western Christianity in the Middle Ages. The cult of relics dates back to the second and third centuries, when martyrs were persecuted and often killed in ways that fragmented the body, which was taboo in Roman society. The intention was to desecrate the body through execution and burning. But, Caroline Walker Bynum and Paula Gerson state that by the “late third to early fourth centuries the fragments of the martyrs had come to be revered as loci of power and special access to the divine” and, by the Second Council of Nicea in 787, relics were required for the consecration of altars.

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October 30, 2018

Open Access: an early guide to hieroglyphics

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James Winthrop. Egyptian hieroglyphics, from public monuments extracted from Denon. Late 18th or early 19th century. Image and data courtesy Allegheny College Library Special Collections.

The Allegheny College Egyptian Hieroglyphics collection features every page of a single manuscript in the James Winthrop Collection. The collection includes approximately 3,000 titles from the libraries of Winthrop and his father, John Winthrop, who was Hollis Professor of Natural Philosophy and Mathematics at Harvard. This particular manuscript is in the public domain, and Allegheny has shared this digital reproduction as a Public Collection in Artstor so that anyone can view and download the images.

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September 27, 2018

On this day: the book that led to the creation of the EPA

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Chatham University, Rachel Carson in the Pennsylvania College for Women Yearbook, The Pennsylvanian, 1928. Image and data courtesy the Collection on Rachel Carson, Chatham University Archives & Special Collections.

On this day in 1962, Rachel Carson’s Silent Spring was published, bringing widespread attention to environmental issues caused by the use of synthetic pesticides in the United States. The book sparked controversy, particularly from chemical companies that dismissed Silent Spring’s assertions about the connection between pesticides and ecological health. However, Carson’s claims were borne out and the book is widely credited with sparking the modern environmental movement that eventually spawned the Environmental Protection Agency.

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August 16, 2018

2,000+ punk rock flyers, free as they were intended to be

 

On Broadway, 1983 January 22. Aaron Cometbus Punk and Underground Press Collection. Image courtesy the Division of Rare and Manuscript Collections, Cornell University Library.
The Dry House, 1988 May 06. Aaron Cometbus Punk and Underground Press Collection. Image courtesy the Division of Rare and Manuscript Collections, Cornell University Library.
Keystone Berkeley, 1981 May 14. Aaron Cometbus Punk and Underground Press Collection. Image courtesy the Division of Rare and Manuscript Collections, Cornell University Library.
Dead Kennedys, 1980's. Johan Kugelberg punk collection, circa 1974-1986. Image courtesy the Division of Rare and Manuscript Collections, Cornell University Library.

Punk flyers from the 1970s to the 1990s shared many of the qualities of the music they promoted–a DIY aesthetic, an embrace of cheap and accessible technology (i.e., photocopiers), plus a healthy dose of humor. In contrast to the often ornate Art Nouveau-inspired rock posters of the psychedelic 1960s, punk flyers typically featured dissonant collages, crude handwriting, and amateurish drawing–not to mention a strict limitation of color.

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August 2, 2018

The New Hampshire Institute of Art expands its public collections in Artstor

An update from our friends at The New Hampshire Institute of Art (NHIA)

Last summer, The New Hampshire Institute of Art’s John Teti Rare Photography Book and Print Collection received a second major gift from collector and philanthropist John Teti. This gift contained original photographic prints of many leading 20th-century photographers, including Harry Callahan, Paul Caponigro, Imogen Cunningham, Lee Friedlander, Andre Kertesz, Man Ray, Minor White, and more. These works are now being added via JSTOR Forum to the NHIA Photograph Collection, which is available as a Public Collection on Artstor. The collection has now grown to nearly 600 images.

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