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June 17, 2013

Travel Awards 2013: Wrapped Up in Lace: Chantilly

Unknown (French) |Collar (Cape Collar) ; ca. 1835 | The Metropolitan Museum of Art | Image © The Metropolitan Museum of Art

Unknown (French) |Collar (Cape Collar) ; ca. 1835 | The Metropolitan Museum of Art | Image © The Metropolitan Museum of Art

Lisa Hartley, Columbus College of Art Design

The small town of Chantilly, France, is home to Chantilly Castle, an architectural wonder of sandstone, antiquated fountains, and enchanting gardens. Here is where lace, my research niche and mild obsession, takes center stage. The traditions and skills used in lacemaking date back to early as the 16th century Europe where the nobility commissioned workers to create dresses, parasols, shawls and gloves in beautiful openwork fabric. Coco Chanel once said, “Lace is one of the prettiest imitations ever made of the fantasy of nature,” and we have Chantilly to applaud for its origins.

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November 20, 2012

Teaching with Artstor: A history of hat-making

French | Hat (Top); ca. 1820 | The Metropolitan Museum of Art | Image © The Metropolitan Museum of Art

By Rachel Pollock, University of North Carolina at Chapel Hill

Artstor helps me surmount a primary difficulty in teaching historical hat-making to my graduate students in theatrical costume production: diverse visual examples of our topics.

In millinery class, we consider not only styles and materials from which hats are made, but also their history—the provenance and significance of a given style, and depictions of it in art and advertising of the period. We analyze its cultural place of origin, and discuss ways in which its meaning might be explored or subverted in the context of stage performance and costume. I am fortunate to have access to theatrical costume storage and my university’s modest archive of antique clothing artifacts for practical tangible examples, but the bounds of those collections are finite.

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