When the weather starts getting unbearable New Yorkers—Artstor staff included—flock to the boardwalks of Brooklyn’s Coney Island or Rockaway Beach in Queens.
This ritual is nothing new and was, in fact, one of the pet subjects of Reginald Marsh (1898 –1954), an American artist famous for his paintings of New York City in the ’20s and ’30s. His city scenes are remarkable for their palpable sense of movement—bodies walk or loiter on street corners, crowds swell as New York’s lights pulsate and glow in the background.
That Marsh’s canvases seem to vibrate is due not only to his staccato brush strokes and bright, reflective colors, but also to his choice of subject matter. Rather than portray New York City’s elite, Marsh turned to everyday people and entertainments. Favorite subjects included burlesque and Vaudeville performers, pedestrians and, yes, public beaches.