Skip to Main Content

Blog Category: Collection release

June 1, 2021

Artstor images now discoverable on JSTOR

We are currently working on integrating Artstor on JSTOR. When you search JSTOR today you will find Artstor’s 2+ million images in your results, bringing together critical scholarship and high-quality images on one platform.

As the year progresses, we will be adding tools for working and teaching with images, making your experience even better. We have several ways you can follow our progress, or you can simply sign up to get updates in your inbox.

We are doing this because we believe that by combining images with essential scholarship, you’ll strengthen the depth and quality of your research, make innovative connections, and spark unexpected discoveries.

Browse the Artstor collections on JSTOR | Try an image search on JSTOR

Continue Reading »

April 28, 2021

New in Artstor: the Arthur Szyk collection

A landmark offering of 500 new images by one of America’s most celebrated political artists during World War II.

Drawing of Adolf Hitler appears on horseback, surrounded by skeletons, monsters, and corpses

Arthur Szyk, Walpurgis Night. New York, 1942. Pen, ink and colored graphite on paper. Image and original data provided by Irvin Ungar.

Watercolor painting of an artist drawing at his desk

Arthur Szyk, Ink and Blood (Self-Portrait). New York, 1944. Watercolor and gouache on paper. Image and original data provided by Irvin Ungar.

Scholar and author Irvin Ungar has recently contributed the Arthur Szyk collection to Artstor, consisting of 500 images by acclaimed World War-II era Polish-Jewish artist Arthur Szyk (b. 1894, Łódź, Poland – d. 1951, New Canaan, Connecticut). Below, Ungar and art historian Samantha Lyons, PhD, provide context on the artist’s life and career.

Continue Reading »

Posted in
March 31, 2021

New: Additional images from the Minneapolis College of Art and Design (MCAD)

Victor Hugo. Vianden seen through a spider's web. 1871.

Victor Hugo. Vianden seen through a spider’s web. 1871. Pen, ink and wash over graphite and watercolor on vellum. Image and data from Allan T. Kohl, Minneapolis College of Art and Design.

Collection:
Minneapolis College of Art and Design Collection

Contributor:
Minneapolis College of Art and Design (MCAD)

Content:
The Minneapolis College of Art and Design (MCAD) has contributed 1,350 additional images to their collection in Artstor, bringing the total to 2,800. The eclectic teaching collection includes iconic works present in art history curricula. All images were selected with the assistance of Allan Kohl, Visual Resources Librarian.

Jean Delville. Portrait of Mrs. Stuart Merrill. 1892.
Jean Delville. Portrait of Mrs. Stuart Merrill.1892. Colored chalk on paper. Image and data from Allan T. Kohl, Minneapolis College of Art and Design.
Caspar David Friedrich. Owl in a Gothic Window. 1836.
Caspar David Friedrich. Owl in a Gothic Window. 1836. Pencil and sepia, black ink. Image and data from Allan T. Kohl, Minneapolis College of Art and Design.
Odilon Redon. Spirit of the Forest. 1880.
Odilon Redon. Spirit of the Forest. 1880. Charcoal and chalk on paper. Image and data from Allan T. Kohl, Minneapolis College of Art and Design.
Caspar David Friedrich. Owl on a Grave. 1836-1837.
Caspar David Friedrich. Owl on a Grave. 1836-1837. Pencil and sepia, black ink. Image and data from Allan T. Kohl, Minneapolis College of Art and Design.

The current launch provides an opportunity to highlight some esoteric selections in an intimate digital exhibition of 19th-century Symbolist and related works. From Victor Hugo, better known for his writings than his many renderings, Vianden seen through a spider’s web offers a veiled perspective of the Luxembourg town that sheltered him during his exile from France. The electrifying Portrait of Mrs. Stuart Merrill by Belgian artist Jean Delville, aptly titled La Mysteriosa, is the personification of the occult. Caspar David Friedrich’s majestic owls portend death, and between the two looms A Spirit of the forest, one of Odilon Redon’s beloved hybrid “monsters.” Finally, the lighter spirit of the American luminist movement animates an oil sketch by the Hudson River school painter Frederic Edwin Church.

Frederic Edwin Church. Hudson River Valley in Winter Looking Southwest from Olana. c. 1870-1880.

Frederic Edwin Church. Hudson River Valley in Winter Looking Southwest from Olana. c. 1870-1880. Oil and pencil on board. Image and data from Allan T. Kohl, Minneapolis College of Art and Design.

Relevance:
European, British, and American art and culture.

Continue Reading »

Posted in
March 9, 2021

New: Barbara Anello: Photographs of Khmer Sites and Monuments

Khmer. Bayon, Angkor Thom.

Khmer. Bayon, Angkor Thom. Late 12th-late 13th century. Sandstone, laterite. Image and data from Barbara J. Anello-Adnani.

Artist and art historian Barbara J. Anello has contributed more than 2,700 photographs of Khmer monuments and heritage, including current archaeological practice, to the Artstor Digital Library. While the content is both culturally and historically significant, and the images arresting and revelatory, the collection is amplified by detailed descriptions.

Continue Reading »

Posted in
July 22, 2020

New: Open Artstor: Statens Museum for Kunst (National Gallery of Denmark)

Christine Løvmand. Flower piece. 1841.

Christine Løvmand. Flower piece. 1841. Oil on canvas. Image and data from Statens Museum for Kunst. CC0.

Artstor has published nearly 29,000 images from the Statens Museum for Kunst with the Creative Commons public domain dedication CC0, freely available to all. Open Artstor: Statens Museum for Kunst (National Gallery of Denmark) is part of an initiative to aggregate open museum, library, and archive collections across disciplines on the Artstor platform.

Continue Reading »