In homage to Earth Day we have gathered a list of resources on the Artstor and JSTOR platforms, from licensed to freely available community-generated collections. We encourage you to explore this content — it combines art and science, enriching the study of the environment and the biosphere across the globe: photography from the microscopic to the panoramic, scientific and anatomical illustrations, evidence from surveys and studies, models, artists’ interpretations in varied media, the vision and work of conservationists, and the effects of our existence on this planet from millennia of cultivation and development to the threats of climate change.
Blog Category: On this day
We are on the cusp of the holiday season, a quiet, delicious pause before the big rush — a time when we slow down to reflect and give thanks. In the spirit of A.A. Milne’s inimitable philosopher Piglet, we may recall our capacity for gratitude: “Piglet noticed that even though he had a Very Small Heart, it could hold a rather large amount of Gratitude.” In celebration of Thanksgiving, we are highlighting expressions of thanks through time and across the world.
A moment of grace bestills the bowed heads of three small Haitian girls captured by the photographer Bob Gore, while a swell of Ghanian women is moved by thankful joy during a Harvest Festival in a monumental painting by the African American artist John Biggers.
Since the early 1990s, communities across America have honored Indigenous Peoples’ Day—South Dakota and Berkeley, California being the leaders. Currently more than 15 states and many municipalities observe the day, and there is a resolution before Congress to declare a federal holiday (H.Res.627). In it, Congresswoman Deb Haaland, Co-Chair of the Congressional Native American Caucus, declares: “Our resolution recognizing Indigenous People’s Day acknowledges our country’s real history and celebrates our languages, traditions, and heritage… By dedicating this day to the strength and resilience of Indigenous peoples, we condemn those who have tried to erase us, and build strength through understanding.”
Artstor marks the day with a selection of stirring works that express Indigenous cultures across the continent.1
The Christian festival of Michaelmas, also known as the Feast of Saint Michael the Archangel, is celebrated in many parts of the world on September 29.
Michaelmas celebrates the story of Saint Michael defeating Satan, which is often depicted in the motif of Saint George and the Dragon, Saint George being the Archangel Michael’s earthly counterpart. The earliest depictions of this story go all the way back to the 10th century. The images of Saint George fighting the dragon in the Artstor Digital Library span centuries.
Gong Xi Fa Cai! Happy Lunar New Year! The Chinese Year of the Goat begins February 19, 2015 and lasts through March 5, 2015.
You might see references to this being the year of the sheep, or even of the ram. This stems from the fact that the Chinese use one character (yang in Mandarin) for these three different horned animals, but it seems that the goat is the prefered choice by the majority of Chinese people.
Aubrey Beardsley was born on August 21, 1872. Despite dying of tuberculosis at the young age of twenty-five in 1898, the artist managed to have a brilliant career full of controversy and scandal. He shot to fame with his illustrations for Thomas Malory’s Le Morte D’Arthur in 1893, and then became notorious for his illustrations for Oscar Wilde’s Salome (1894).
Recurring images throughout his career follow two seemingly incongruous paths. There is an emphasis on sly, clever wickedness; a youthful disregard for propriety; and an interest in the perverse and profane. Overlapping imagery of melancholia and death lead the second path. These two broad and inconsistent currents each render distinct images of the same artist who was drawn to scandal and associated himself with the 1890s Symbolist crowd often scorned by the arts elite and general public alike.
One hundred years ago today, suffragist Mary Richardson walked into the National Gallery, London and attacked Diego Velázquez’s The Toilet of Venus (AKA The Rokeby Venus) with a meat cleaver. Richardson was protesting the arrest of fellow suffragist Emmeline Pankhurst the previous day.
You can see the impressive results of the National Gallery‘s restoration by searching for Velazquez Toilet of Venus in the Artstor Digital Library and zooming in to compare against the slashes in the image to the right. While the texture of the paint doesn’t betray the repairs, if you look carefully you can detect very slight yellowing on Venus’s skin along the cuts.
It’s snowing today in New York City and crowds are lining up to skate at the legendary ice rink at Rockefeller Center, with its sparkling light displays and famous holiday tree. If I visit this year, it’ll be as a spectator only, since I’ve never ice skated in my life. Sad, I know, but I have a good excuse—I grew up in extremely warm areas of Mexico and Texas, so I didn’t have many opportunities to learn. But that doesn’t stop me from admiring skaters. I love their graceful gliding, and enjoy seeing the camaraderie that spontaneously develops when groups of people converge on the ice. Evidently I’m not alone, judging from the many depictions of skating groups in the Artstor Digital Library.
Daylight Saving Time ended last night, which gives you an extra hour today to enjoy our slideshow of beautiful clocks and watches.
On this day in 1917, the exotic dancer known as Mata Hari was sentenced to death in France for spying for Germany during World War I.
Born in the Netherlands, Gertruida Margueretha Zelle moved to Paris in 1903 and began performing as a dancer under the name Mata Hari. She claimed to be a princess from Java trained in the art of sacred Indian dance. Her claims were taken at face value and her exotic dancing became very popular across Europe. The images here captures her at the height of her fame.