More than 2 million of the images in Artstor are now discoverable alongside JSTOR’s vast scholarly content, providing you with primary sources and vital critical and historical background on one platform. This blog post is one of a series demonstrating how the two resources complement each other, providing a richer, deeper research experience in all disciplines.
The Wolf Hall trilogy by Hilary Mantel presents the Tudor court in arresting, vivid prose1. Nonetheless, the temptation to illustrate Mantel’s account is irresistible given her invocation of the painter “Hans” (the actual historical figure of Hans Holbein the Younger, 1497/8-1543). He appears frequently in her narrative and is her acknowledged muse: Simply put, in the author’s own words: “He [Holbein] peoples the early Tudor court for us.”2 Since Holbein the Younger was so prolific and precise as a portraitist,3 his likenesses provide a visual Who’s Who to Mantel’s narrative. Below, we have coupled some of Holbein’s most penetrating portrayals of the key players with the descriptions of the author.