Roger Brown. Thumbing in Fall. 1985. Oil on canvas. Image and data provided by the Roger Brown Study Collection, School of the Art Institute of Chicago.
Our thanks to the School of the Art Institute of Chicago, which contributed approximately 800 images of the artist’s work to the Artstor Digital Library.* The selection in Artstor encompasses the artist’s career, from 1970 through 1997, and includes paintings, mosaics, and mixed media.
Pacita Abad. Assaulting the eye with ecstasy. 1986. Acrylic, embroidery, buttons, mirrors on stitched and padded canvas. Image and data provided by © Pacita Abad Art Estate
Our thanks to the Pacita Abad Art Estate, which contributed 500 images of the artist’s work to the Artstor Digital Library.* The selection in Artstor illustrates the artist’s career from the 1970s to her final years in the 2000s.
Richard H. Truly. S40-151-129 Washington, D.C.. 1991. Image and data courtesy Regis University Library.
Richard H. Truly was the first person to be launched into space on his birthday when he piloted the Space Shuttle Columbia on November 12, 1981. In 1989 he would become the eighth NASA Administrator, the first astronaut to hold the position. Two public collections in Artstor from Regis University document the astronaut’s fascinating career via papers and media.
When you see Andy Warhol’s name, his Pop Art paintings of Marilyn Monroe, Elvis Presley, and Campbell’s soup cans probably spring to mind. But Warhol’s interests extended beyond fame and commerce, as evidenced in the photos he took to record his daily life. “A picture means I know where I was every minute,” the artist said. “That’s why I take pictures. It’s a visual Diary.”
Bartolomeo Bimbi. Pears. 1699. Oil on canvas. Villa Medicea. Image and data provided by SCALA, Florence/ART RESOURCE, N.Y.
Every year the subject of food rises in our thoughts and comes into greater and more glorious focus as we are swept up in a wave of planning, preparation, and consumption for the holidays. In anticipation and celebration of our sumptuous banquets and stolen treats, Artstor offers a feast of foodie still lifes. Think of this selection as an appetizer: with heaping mounds of fruit, Bartolomeo Bimbi’s monumental Pears (1699) heralds the abundant extreme of the genre.
Erich Salomon. The American newspaper publisher William Randolph Hearst reading telegraphs in his castle “La Cuesta Encantada,” San Simeon, CA. 1930. Silver gelatin photograph. Licensed under CC0
The William Randolph Hearst Archive has contributed 2,050 images to the Artstor Digital Library,* providing an intriguing perspective on the collecting passions of Hearst, the man best known to us as a newspaper baron, and notoriously immortalized on film as the unscrupulous “Citizen Kane.”
James Winthrop. Egyptian hieroglyphics, from public monuments extracted from Denon. Late 18th or early 19th century. Image and data courtesy Allegheny College Library Special Collections.
The Allegheny College Egyptian Hieroglyphics collection features every page of a single manuscript in the James Winthrop Collection. The collection includes approximately 3,000 titles from the libraries of Winthrop and his father, John Winthrop, who was Hollis Professor of Natural Philosophy and Mathematics at Harvard. This particular manuscript is in the public domain, and Allegheny has shared this digital reproduction as a Public Collection in Artstor so that anyone can view and download the images.
While there were a lot of delightful beliefs about animals in the Middle Ages (our favorite: hedgehogs roll on grapes to spear them on their spines so they can take them home to their young), this Halloween season we’re focusing on the creepiest creatures of all: reptiles! Not to worry, we’ll also tell you what to do to stay safe from them.
Our source for this guide is Richard Barber’s translation of the Bodleian Library’s MS Bodley 764, a mid-thirteenth century bestiary, so don’t be too surprised if the descriptions deviate just a tad from contemporary herpetology.
Bestiary. Folio #: fol. 160r, 12th century. Image and original data provided by the Bodleian Library, University of Oxford.
Let’s start with plain old snakes. We bet you didn’t know that snakes are frightened by naked men, but attack clothed ones. Unfortunately our source doesn’t specify how snakes respond to women (the thirteenth century not being the most progressive of centuries), so your best bet is to keep a stag nearby, as they can handily deal with bothersome serpents.
Mummy of Ukhhotep, Egypt. Detail. c.1981-1802 B.C.E. Wood, cartonnage, paint, linen, human remains, obsidian, gold, alabaster. Image and data provided by The Metropolitan Museum of Art.
In an 1898 article for Scientific American, a chemist describes his process for working with a powdered material that smelled of myrrh and meat extract:
On heating the powder turns dark brown black, with a pleasant, resin-like odor of incense and myrrh, then throws out vapors with an odor of asphaltum; it leaves a black glossy coal which leaves behind when burnt 17 percent of ash with a strongly alkaline reaction, evolving plenty of carbonic acid when sprinkled with acids. In the closed tube vapors of acid reaction are obtained. With hot water a yellow brown solution of neutral reaction is obtained which smells like glue and extract of meat when inspissated…”
The powder in question was in fact the ground desiccated corpse of an ancient Egyptian, heated for the purpose of creating commercially-produced oil paint. Shocked? Let us treat you to a short history of the many strange fates of pillaged mummies between the sixteenth and early twentieth centuries.
Citadel of Erbil (Arbil), brick houses along wall perimeter. 18-19th century. Erbil, Iraq. Photographer: Zainab Bahrani, 2013. Image and data provided by the Media Center for Art History, Department of Art History and Archaeology, Columbia University.
Columbia University’s Media Center for Art History at the Department of Art History and Archaeology has contributed additional material on world architecture to the Artstor Digital Library, including approximately 335 interactive and dynamic virtual reality panoramas and more than 5200 photographs.* The contribution presents ancient buildings and monuments in Iraq and the architecture of Turkey—mostly mosques in Istanbul—from the 15th through 19th centuries.
